Something strange is occurring on the island of Faro in the British Isles. Whilst temperatures on the mainland are cold, the temperature on this island is mysteriously increasing to an unbearably hot level.
Pub owner and novelist Patrick Allen (Jeff Callum) holds court to the cast that includes his pub landlady wife Sarah Lawson (Frankie), new secretary Jane Merrow (Angela), doctor Peter Cushing (Vernon Stone), scientist Christopher Lee (Hanson), villagers William Lucas (Ken), Kenneth Cope (Tinker) and Thomas Heathcote (Bob) and a few others.
There is a body count that piles up as people become incinerated after hearing a high pitched sound. The script-writers wisely kill off a comedy tramp figure early on in the film but it's then a lottery as to who is next.
The film's interest comes from the love triangle between Allen, Lawson and Merrow and contains, apart from hilariously frank dialogue (see summary), quite a gripping dramatic moment between Lawson and Merrow. Another moment that sticks out in the film is when Allen confronts Lee about his anti-social behaviour. Once again, we get some 'no-holds-barred' dialogue that progresses the plot and swings the audience to Christopher Lee's favour (previous to this point, he seems like a dick). We now want to see Allen and Lee working together.
It's a shame but the film's finale plays out like a below-par 'B' movie with no suspense and an ending that just happens. It could have been so much better. If you are frightened by pace-less fried-egg jellyfish, then you won't be disappointed. It's a better drama than it is a horror.
Pub owner and novelist Patrick Allen (Jeff Callum) holds court to the cast that includes his pub landlady wife Sarah Lawson (Frankie), new secretary Jane Merrow (Angela), doctor Peter Cushing (Vernon Stone), scientist Christopher Lee (Hanson), villagers William Lucas (Ken), Kenneth Cope (Tinker) and Thomas Heathcote (Bob) and a few others.
There is a body count that piles up as people become incinerated after hearing a high pitched sound. The script-writers wisely kill off a comedy tramp figure early on in the film but it's then a lottery as to who is next.
The film's interest comes from the love triangle between Allen, Lawson and Merrow and contains, apart from hilariously frank dialogue (see summary), quite a gripping dramatic moment between Lawson and Merrow. Another moment that sticks out in the film is when Allen confronts Lee about his anti-social behaviour. Once again, we get some 'no-holds-barred' dialogue that progresses the plot and swings the audience to Christopher Lee's favour (previous to this point, he seems like a dick). We now want to see Allen and Lee working together.
It's a shame but the film's finale plays out like a below-par 'B' movie with no suspense and an ending that just happens. It could have been so much better. If you are frightened by pace-less fried-egg jellyfish, then you won't be disappointed. It's a better drama than it is a horror.