Mildly amusing A&C. Moving over to big-budget MGM means bigger production values than usual. And some of the Middle-East cityscapes are really impressive. The boys are helping the prince of the realm (Conte) regain the throne from the evil usurper Nimativ (Dumbrille). Needless to say, their help is a lot funnier than effective. The sketches are okay but the connecting narrative is flatter than usual. And too bad we don't see more of the harem than the pudgy little keeper who looks a lot like Costello—a funny bit.
Actually, my favorite part is the frenetic dance routine imaginatively set to the exotic strains of Scheherezade—the long scarves flying fast and furious. Surprisingly, we don't see much of Jimmy Dorsey and his orchestra, despite their featured billing. At the same time, there's the lovely Marilyn Maxwell who mostly gets to stand around and look blonde.
Some of the funnier parts—pretending to be Hollywood talent scouts to get the harem girls on their side, the derelict (Leonard) doing his "Slowly I turn " bit that usually ends with Costello looking like a pretzel, and the invisible man routine that turns Costello into a janitor. Anyway, it's a peppy 90-minutes and if not among their best, at least it has its share of laughs.
Actually, my favorite part is the frenetic dance routine imaginatively set to the exotic strains of Scheherezade—the long scarves flying fast and furious. Surprisingly, we don't see much of Jimmy Dorsey and his orchestra, despite their featured billing. At the same time, there's the lovely Marilyn Maxwell who mostly gets to stand around and look blonde.
Some of the funnier parts—pretending to be Hollywood talent scouts to get the harem girls on their side, the derelict (Leonard) doing his "Slowly I turn " bit that usually ends with Costello looking like a pretzel, and the invisible man routine that turns Costello into a janitor. Anyway, it's a peppy 90-minutes and if not among their best, at least it has its share of laughs.