Like the Maltese Falcon, Warner Brothers "B" detective thriller Find The Blackmailer involves a search for a black bird. Here the resemblance ends. In this case the black bird, rather than a jewel-encrusted statuette, is absurdly a talking crow, which can put the finger on the detective's client for a murder. Honestly! Not as bad as it sounds, but not Golden Era Hollywood at its best either.
The principle attractions of this picture are the unusual and charming casting of Jerome Cowan in the lead role as the tough if somewhat bumbling detective and some stylish noir cinematography by James Van Trees. Cowan is ably supported by the ever reliable Gene Lockhart as his blackmailed politician client, Margorie Hoshelle as his breezy, underpaid secretary, and second-billed Faye Emerson as a nasty femme fa-tale. The script is muddled, ridiculous, and padded out with a lot of meandering, unnecessary action. It looks as if director D. Ross Lederman was struggling to squeeze out the required 55-minute running time. If his picture had been tightly edited, it could have easily run only 40 minutes without losing anything. Dialog is cliché-ridden, but fun. Just about every wise-crack and every colorful slang term from every detective, mystery, cops-and-robbers picture from the previous decade as been gathered for recycling in Find The Blackmailer. Surly this picture was meant to be a spoof. Big hint -- the detective's name is Trees, same as the cinematographer. Or does that just mean they were making up the script as they went along? This suspicion will creep in from time to time as you watch the strange proceedings. Never mind, just relax and enjoy. You can't be expected to figure it out if it doesn't make sense. And it most assuredly does not. Cowan's character is more humorous that tough. Cowan didn't have a muscle in his body, but he still manages to get tough when needed by keeping his hand on the .32 automatic in his coat pocket. But mostly he just cracks wise and grins through his trademark pencil-line mustache.
But not so bad for all that. As yours truly has stated elsewhere about other, better second features, the big studios of Old Hollywood could turn out good-looking, entertaining pictures while only half-way trying. In Find The Blackmailer it looks as if they didn't try much at all, yet it still turned out a watchable, even enjoyable picture -- if you're in the right mood.
The principle attractions of this picture are the unusual and charming casting of Jerome Cowan in the lead role as the tough if somewhat bumbling detective and some stylish noir cinematography by James Van Trees. Cowan is ably supported by the ever reliable Gene Lockhart as his blackmailed politician client, Margorie Hoshelle as his breezy, underpaid secretary, and second-billed Faye Emerson as a nasty femme fa-tale. The script is muddled, ridiculous, and padded out with a lot of meandering, unnecessary action. It looks as if director D. Ross Lederman was struggling to squeeze out the required 55-minute running time. If his picture had been tightly edited, it could have easily run only 40 minutes without losing anything. Dialog is cliché-ridden, but fun. Just about every wise-crack and every colorful slang term from every detective, mystery, cops-and-robbers picture from the previous decade as been gathered for recycling in Find The Blackmailer. Surly this picture was meant to be a spoof. Big hint -- the detective's name is Trees, same as the cinematographer. Or does that just mean they were making up the script as they went along? This suspicion will creep in from time to time as you watch the strange proceedings. Never mind, just relax and enjoy. You can't be expected to figure it out if it doesn't make sense. And it most assuredly does not. Cowan's character is more humorous that tough. Cowan didn't have a muscle in his body, but he still manages to get tough when needed by keeping his hand on the .32 automatic in his coat pocket. But mostly he just cracks wise and grins through his trademark pencil-line mustache.
But not so bad for all that. As yours truly has stated elsewhere about other, better second features, the big studios of Old Hollywood could turn out good-looking, entertaining pictures while only half-way trying. In Find The Blackmailer it looks as if they didn't try much at all, yet it still turned out a watchable, even enjoyable picture -- if you're in the right mood.