Dr. Peter Ross is a well-known psychologist, operating in Toronto. He is trying out a new experiment, to try and cure his patient's phobia's. His patients have all been given to him by a jail, and are all criminals. They all suffer from various phobias, from fear of falling to fear of snakes. His radical new treatment involves making them face their worst fears, in order to overcome them.
Unfortunately trouble comes his way, when his patients begin to start dying mysteriously, according to their various phobias...
This film is bad. Good, just wanted to get that out of the way. So why is it bad? It had an interesting premise, but the actors look bored to death in their roles, including Paul Michael Glaser in the lead. The direction is sloppy, especially for an old pro like Huston. The plot chugs along at a snails pace. There is no horror, and barely any laughs. Even seeing a city I know and love like Toronto in the early 80's wasn't enough to hold my attention. They even give the ending away in the tag line.
I find that when writing a positive review, I have more fun. I had no fun writing this review, just as I had no fun watching this film. Don't get me wrong, it has its good points. The score is well done, especially for a horror film, and it holds make where most composers would go for a screeching violin, an admirable move. The plot is intriguing, even if it isn't carried out well. I did have fun recognizing some landmarks that I know from the city.
Unfortunately that's it. So I guess I'll start with the actors. The cast is pretty no name. Glaser, as I mentioned above seems bored, and his character is very one note. Susan Hogan, playing his girlfriend, really isn't given anything to do, so to criticize her to harshly would be unfair. John Colicos gives a performance as the stereotypical red blooded cop, that can only be defined as uninspiring and unoriginal.
The cast that patients are all good at reacting to their horrific fears in a cheesy way that, unfortunately, brings neither laughs nor fears. The screenplay by a trio of writers is dull and lifeless, at least that's the way it was portrayed on screen. It is neither horrific nor cheesy. The film would have been best made as a psychological drama, but unfortunately the way it is carried out is not as such.
The score, as I mentioned above, is one of the few saving graces of the film. It isn't great, but it's better than the rest of the film. The cinematography is ordinary to say the least, and the copy I had was full of dull colors and popping sound bites. It may not be the cinematographers fault that no one has taken the time to remaster the visuals, but it did hamper my viewing experience.
And now to the direction. I have no idea how Huston ever came to make this film. Yes, It's that bad. Huston's direction is so laconic and uninvolved, that it doesn't surprise me that this was his only horror film, he was far better adept at dramas. There is a scene when Glaser reaches out to stop a patient from jumping, Huston just keeps the shoot wide the whole time, infuriating me by not adding any close-ups. Maybe it's just me but I found that scene lacking for that very reason.
Overall, this film has the reputation of being John Huston's worst film. That is so, at least for now. I won't deny that I felt like nodding off during the film, but I kept myself awake so I could write this review. It is a truly terrible film, and as a Canadian, I feel sorry for anyone who watches this film. Please, if you want to watch a good Canadian film, watch Mon Oncle Antoine, or Going' Down The Road. Don't watch Phobia.
Phobia: A Descent Into Terror, 1980, Starring: Paul Michael Glaser, Susan Hogan and John Colicos. Directed by John Huston, 2.5/10 (F)
(This is part of an ongoing project to watch and review every John Huston movie. You can view this and other reviews at http://everyjohnhustonmovie.blogspot.ca/)
Unfortunately trouble comes his way, when his patients begin to start dying mysteriously, according to their various phobias...
This film is bad. Good, just wanted to get that out of the way. So why is it bad? It had an interesting premise, but the actors look bored to death in their roles, including Paul Michael Glaser in the lead. The direction is sloppy, especially for an old pro like Huston. The plot chugs along at a snails pace. There is no horror, and barely any laughs. Even seeing a city I know and love like Toronto in the early 80's wasn't enough to hold my attention. They even give the ending away in the tag line.
I find that when writing a positive review, I have more fun. I had no fun writing this review, just as I had no fun watching this film. Don't get me wrong, it has its good points. The score is well done, especially for a horror film, and it holds make where most composers would go for a screeching violin, an admirable move. The plot is intriguing, even if it isn't carried out well. I did have fun recognizing some landmarks that I know from the city.
Unfortunately that's it. So I guess I'll start with the actors. The cast is pretty no name. Glaser, as I mentioned above seems bored, and his character is very one note. Susan Hogan, playing his girlfriend, really isn't given anything to do, so to criticize her to harshly would be unfair. John Colicos gives a performance as the stereotypical red blooded cop, that can only be defined as uninspiring and unoriginal.
The cast that patients are all good at reacting to their horrific fears in a cheesy way that, unfortunately, brings neither laughs nor fears. The screenplay by a trio of writers is dull and lifeless, at least that's the way it was portrayed on screen. It is neither horrific nor cheesy. The film would have been best made as a psychological drama, but unfortunately the way it is carried out is not as such.
The score, as I mentioned above, is one of the few saving graces of the film. It isn't great, but it's better than the rest of the film. The cinematography is ordinary to say the least, and the copy I had was full of dull colors and popping sound bites. It may not be the cinematographers fault that no one has taken the time to remaster the visuals, but it did hamper my viewing experience.
And now to the direction. I have no idea how Huston ever came to make this film. Yes, It's that bad. Huston's direction is so laconic and uninvolved, that it doesn't surprise me that this was his only horror film, he was far better adept at dramas. There is a scene when Glaser reaches out to stop a patient from jumping, Huston just keeps the shoot wide the whole time, infuriating me by not adding any close-ups. Maybe it's just me but I found that scene lacking for that very reason.
Overall, this film has the reputation of being John Huston's worst film. That is so, at least for now. I won't deny that I felt like nodding off during the film, but I kept myself awake so I could write this review. It is a truly terrible film, and as a Canadian, I feel sorry for anyone who watches this film. Please, if you want to watch a good Canadian film, watch Mon Oncle Antoine, or Going' Down The Road. Don't watch Phobia.
Phobia: A Descent Into Terror, 1980, Starring: Paul Michael Glaser, Susan Hogan and John Colicos. Directed by John Huston, 2.5/10 (F)
(This is part of an ongoing project to watch and review every John Huston movie. You can view this and other reviews at http://everyjohnhustonmovie.blogspot.ca/)