Vishal Bharadwaj serves you "Mr. Pankaj Kapur on the rocks!"
'A twisted title, Limousine in gehu ke fields, African Zulu tribes, Pink buffalo called gulabbo, Politician sucking a lollipop in fields, Mao Tse-tung's (Maoism wala) desi avatar, UFO in a village?' Yes, this Vishal Bharadwaj film has more bizarre elements than you can ever think of !
MKBKM is one hell of a ride - from crazy, absurd, wacky, bizarre to... social, political, addressing some of the pertinent issues faced by our nation. Here you have one of the greatest actors of India in his elements, with his dual act of - caring, sensitive drunkard 'Hariya' and, a stern, selfish & staunch capitalist 'Harry'. Only actor of his caliber can carry-off such role with aplomb (he is teetotaler in real life). Please, hand over all the awards of 2013 to Mr Pankaj Kapur for his exceptional performance!
Director Vishal Bharadwaj has his own eccentric ways of making social commentary with issues such as SEZ (Special Economic Zones), land grabbing, capitalism, Maoism, corruption, honor killing, lokpal, media and what not! At one point, Bharadwaj doesn't even think twice before taking actual names of politicians -- from Sheila Dixit, to Rahul-s, Varun-s, Scindia-s of Congress as political heirs of successful politicians. It takes some time and effort from our side to get acquainted to this Haryanvi setup and accent...but if you start getting Bharadwaj's references and quirky dialogues, you are into this exhilarating mad-cap ride.
Imraan Khan as 'Matru' does well with whatever he can do with his limited acting capabilities. Anushka Sharma is effective, but she is getting typecast in these type of roles. Shabana Azmi is excellent in her sly and manipulating political avatar. Arya Babbar does well as Azmi's dimwit son.
There are many memorable scenes which only director like Vishal Bharadwaj can think of -- that hilarious fight between Matru and Mandola during "well" scene, Mandola riding a plane after getting drunk, Azmi's monologue about 'progressive' nation called India (over ages), the scene between Mandola and Azmi just before the rain arrives, Mandola telling 'Mao' - tu "left" wala bottle le, or the love story involving something as banal as "tooth-brush".
In some cases, Bharadwaj tends to go overboard especially towards the climax sequence and some of Imraan-Anushka's scenes are simply annoying. Sometimes, the film gets repetitive with street theater (natak) type execution.
Music: Vishal-Gulzar combo for music is delicious as always. It takes the film one notch higher. You get to hear samples of African and Haryanvi folk music in some of the songs. My picks from the album - Khamakhan, Badal uthiyan, Oye boy Charlie, title song.
Verdict: Overall, the film is as twisted as its title. So, watch it if you can digest this genre/Vishal Bharadwaj's films......otherwise you might walk out of cinema hall during the show, like some did where I watched the movie.
P.S. Pankaj Kapur is God of acting.
'A twisted title, Limousine in gehu ke fields, African Zulu tribes, Pink buffalo called gulabbo, Politician sucking a lollipop in fields, Mao Tse-tung's (Maoism wala) desi avatar, UFO in a village?' Yes, this Vishal Bharadwaj film has more bizarre elements than you can ever think of !
MKBKM is one hell of a ride - from crazy, absurd, wacky, bizarre to... social, political, addressing some of the pertinent issues faced by our nation. Here you have one of the greatest actors of India in his elements, with his dual act of - caring, sensitive drunkard 'Hariya' and, a stern, selfish & staunch capitalist 'Harry'. Only actor of his caliber can carry-off such role with aplomb (he is teetotaler in real life). Please, hand over all the awards of 2013 to Mr Pankaj Kapur for his exceptional performance!
Director Vishal Bharadwaj has his own eccentric ways of making social commentary with issues such as SEZ (Special Economic Zones), land grabbing, capitalism, Maoism, corruption, honor killing, lokpal, media and what not! At one point, Bharadwaj doesn't even think twice before taking actual names of politicians -- from Sheila Dixit, to Rahul-s, Varun-s, Scindia-s of Congress as political heirs of successful politicians. It takes some time and effort from our side to get acquainted to this Haryanvi setup and accent...but if you start getting Bharadwaj's references and quirky dialogues, you are into this exhilarating mad-cap ride.
Imraan Khan as 'Matru' does well with whatever he can do with his limited acting capabilities. Anushka Sharma is effective, but she is getting typecast in these type of roles. Shabana Azmi is excellent in her sly and manipulating political avatar. Arya Babbar does well as Azmi's dimwit son.
There are many memorable scenes which only director like Vishal Bharadwaj can think of -- that hilarious fight between Matru and Mandola during "well" scene, Mandola riding a plane after getting drunk, Azmi's monologue about 'progressive' nation called India (over ages), the scene between Mandola and Azmi just before the rain arrives, Mandola telling 'Mao' - tu "left" wala bottle le, or the love story involving something as banal as "tooth-brush".
In some cases, Bharadwaj tends to go overboard especially towards the climax sequence and some of Imraan-Anushka's scenes are simply annoying. Sometimes, the film gets repetitive with street theater (natak) type execution.
Music: Vishal-Gulzar combo for music is delicious as always. It takes the film one notch higher. You get to hear samples of African and Haryanvi folk music in some of the songs. My picks from the album - Khamakhan, Badal uthiyan, Oye boy Charlie, title song.
Verdict: Overall, the film is as twisted as its title. So, watch it if you can digest this genre/Vishal Bharadwaj's films......otherwise you might walk out of cinema hall during the show, like some did where I watched the movie.
P.S. Pankaj Kapur is God of acting.