9/10
Way ahead of it's time, beautiful cinematography
28 January 2013
Warning: Spoilers
Much of what I have to say about this film has already been said, so I will not repeat it. Here are some (I think) original thoughts.

If this film were released a year before or a year after 1939 I am guessing it would have swept the Oscars. Being released the same year as "Gone With The Wind" kept that from happening. The one Oscar it won (for best special effects) was richly deserved. In fact, the effects in GWTW during the burning of Atlanta are no where near as good. Way ahead of it's time.

In fact, I think the entire film was ahead of it's time by at least 20 years. The black and white cinematography made a major contribution to the overall emotional impact. Very creative use of lighting, and each frame is like a painting. It should have gotten the Oscar for that.

The direction and the acting was subtle and very layered. I was especially impressed by the staging of the Myrna Loy's character's death. Most of the Hollywood death scenes at that time involve the character closing his eyes and turning his head. Very heavy handed and not very realistic. I will not spoil it for you but watch how understated it is. Occasionally the acting is over the top, but as a whole it is restrained and totally right for the material.

Music is used sparingly unlike GWTW where it is wall to wall. Don't get me wrong, I love the music in that film and it is just right for it. But in The Rains Came a lighter touch is called for. And it gets it.

It seemed that everyone involved in this was aware that it would be released the same year as GWTW and knew that this film had to be on a par with it. GWTW was pretty much of it's time but The Rains Came was a preview of how great films would be made in the 1950's and 1960's.

The only thing that did not ring true for me was the casting of Tyrone Power as an Indian native. Even with the dark make-up he is just plain wrong. Add to that that he does not even attempt an accent! Everyone else seems just right. Newcomer Brenda Joyce is particularly good and stunningly beautiful as well.

The idea of casting a love story (2 love stories really) against significant events in history was not original even in 1939, but I can think of only a few films that did it better. One of those was A Passage to India, a film that echos the style and setting of The Rains Came.

I wish someone would do a remake of this. I think the material begs for it.

A very unusual production for it's time and well worth a look. I could even see it as being made in say 1963. Very modern and polished.
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