I'm sorry to all the other reviewers who, clearly, have a fondness for Ms. Bell but I felt more like Guil Fisher - the whole script was mind-numbingly moronic.
In the scene where she's just come back from dropping her daughter off with a neighbour, what ON EARTH is she doing with her hands while she is 'composing herself'? I really don't know what the director was trying to induce her to portray but maybe it's something only a woman would understand.
Then, when she goes to the widow's house, she flits downstairs and opens a locked door by taking a credit card from her little handbag and no more than shows it to the door and she's in. And then there's that old American movies rubbish of the paper knife to open a locked desk drawer. For God's sake, get real. Haven't you lot done that one to death yet? Do you think we're all idiots out here?
The she's on the phone, logging into a secure military system - one she's had no contact with for EIGHT years - but her pass code still works!!
So, she's flying all over the place, desperately trying to rescue her husband (yeah, right) but still manages to stop at the public phone to call her neighbour to read bedtime stories to her kid! For goodness sake!! Who wrote this stuff?
This woman can only be 100lbs soaking wet but she's capable of chucking 200lb security guards all over the place with hardly a flick of her pretty little lashes.
...and when she finally gets into this high security building by incapacitating three burly guards, she then manipulates a computer system she's never seen before, bypassing ALL of the network security protocols by - get this - popping into some unlocked broom cupboard she's never been in before and swapping a couple of wires around on a network she knows absolutely nothing about! HAHAHAHAHAHA!! This garbage is PRICELESS!! I nearly wet meself!! So the gaumless writers think that NOBODY out here knows ANYTHING about computer security???
Then there's the car chase. Talk about Keystone Cops! All she has to do is drive around this car park and the cops keep driving into the bushes. BRILLIANT!!
It was at this point that I just about gave up because I'd laughed as much as I wanted to and I felt that I'd been patronised enough. Also, the sickening lovesick-teenager-like relationship that these two had left me looking for the vomit bag!
This is yet another American movie made simply because someone decided that Catherine Bell needed to make another movie. Who cares that none of the scenes make sense? And they don't. No common sense at all has been exercised in the direction of the plot. The whole mess is just thrown together with a hubris so common in cheap American films.
A movie FOR women, written BY a woman, in my view, because not one of the scenes survives close scrutiny.
This stuff is nothing more than an insult to the intelligence of anyone who watches it.
In the scene where she's just come back from dropping her daughter off with a neighbour, what ON EARTH is she doing with her hands while she is 'composing herself'? I really don't know what the director was trying to induce her to portray but maybe it's something only a woman would understand.
Then, when she goes to the widow's house, she flits downstairs and opens a locked door by taking a credit card from her little handbag and no more than shows it to the door and she's in. And then there's that old American movies rubbish of the paper knife to open a locked desk drawer. For God's sake, get real. Haven't you lot done that one to death yet? Do you think we're all idiots out here?
The she's on the phone, logging into a secure military system - one she's had no contact with for EIGHT years - but her pass code still works!!
So, she's flying all over the place, desperately trying to rescue her husband (yeah, right) but still manages to stop at the public phone to call her neighbour to read bedtime stories to her kid! For goodness sake!! Who wrote this stuff?
This woman can only be 100lbs soaking wet but she's capable of chucking 200lb security guards all over the place with hardly a flick of her pretty little lashes.
...and when she finally gets into this high security building by incapacitating three burly guards, she then manipulates a computer system she's never seen before, bypassing ALL of the network security protocols by - get this - popping into some unlocked broom cupboard she's never been in before and swapping a couple of wires around on a network she knows absolutely nothing about! HAHAHAHAHAHA!! This garbage is PRICELESS!! I nearly wet meself!! So the gaumless writers think that NOBODY out here knows ANYTHING about computer security???
Then there's the car chase. Talk about Keystone Cops! All she has to do is drive around this car park and the cops keep driving into the bushes. BRILLIANT!!
It was at this point that I just about gave up because I'd laughed as much as I wanted to and I felt that I'd been patronised enough. Also, the sickening lovesick-teenager-like relationship that these two had left me looking for the vomit bag!
This is yet another American movie made simply because someone decided that Catherine Bell needed to make another movie. Who cares that none of the scenes make sense? And they don't. No common sense at all has been exercised in the direction of the plot. The whole mess is just thrown together with a hubris so common in cheap American films.
A movie FOR women, written BY a woman, in my view, because not one of the scenes survives close scrutiny.
This stuff is nothing more than an insult to the intelligence of anyone who watches it.