NEE THANE EN PONVASANTHAM
GENRE: ROMANCE, DRAMA
RATING: 4/5
Nee thane en ponvasantham---Gautham has created a rattling-fresh magical film. Its unique style of film-making and gleaming music have added to the class of the film. The level of maturity involved in the making is explicitly incredible and precisely the two key qualities that tends to define the film are subtlety and sensibility. In a nut-shell, it's a slice-of-life in an off-beat screenplay.
Firstly, the superlative casting has to be eulogized for its elegant and sensible assortment. Jiiva and Samantha look like they were tailor-made for the roles they were portrayed in. Jiiva's dignified execution and Samantha's intense work elevated the narration. The terrace sequence just before the interval is brilliant in terms of photography and performance. The shot transitions are indeed of a higher level. Samantha's restlessness during the parley is pure reality and she managed to deliver it with utmost clarity. The supporting cast is also a bunch of felicitous choices. Though their sequences were limited, Santhanam and Vidhyulekha strived to emanate the best.
Ilayaraja has proved it once and for all that he is still capable of tuning the audience to his euphonious tracks. The climax arrangement and the propensity that is created in the last 25 minutes is massively supported by sattru munbu song and the bgm, making it distinctly world-class. The breakage and assembly of songs pertaining to the situations is way profound and kudos to the director. When the maestro's music and Gautham's prominent visuals synchronizes, it does wonders. Not forgetting the dominant contribution, Na.Muthukumar made the songs gripping and feasible to connect with the gallery.
Though being a quality experiment, the long shots and excessive reality may hinder the repeat audience for it made the screenplay real passive and stagnant. As per the present scenario, one of the main countenance of films is to entertain which is not satisfied by NEP. We can see the solace amongst the audience when Santhanam appears and their hankering for his presence. It's no surprise even for the director to see cynical reactions from B and C class audience as it was not intended for them. There is no point in contravening the critiques.
NEE THANE EN PONVASANTHAM
#Unseen urban classic with an off-beat narration.
#Guaranteed gratification for moviegoers.
#Applause for the director for his exquisite boldness to film a script in a raw and artistic manner without spicing it up with any commercial facets and bearings to satisfy the marketing demands or its strategies.
GENRE: ROMANCE, DRAMA
RATING: 4/5
Nee thane en ponvasantham---Gautham has created a rattling-fresh magical film. Its unique style of film-making and gleaming music have added to the class of the film. The level of maturity involved in the making is explicitly incredible and precisely the two key qualities that tends to define the film are subtlety and sensibility. In a nut-shell, it's a slice-of-life in an off-beat screenplay.
Firstly, the superlative casting has to be eulogized for its elegant and sensible assortment. Jiiva and Samantha look like they were tailor-made for the roles they were portrayed in. Jiiva's dignified execution and Samantha's intense work elevated the narration. The terrace sequence just before the interval is brilliant in terms of photography and performance. The shot transitions are indeed of a higher level. Samantha's restlessness during the parley is pure reality and she managed to deliver it with utmost clarity. The supporting cast is also a bunch of felicitous choices. Though their sequences were limited, Santhanam and Vidhyulekha strived to emanate the best.
Ilayaraja has proved it once and for all that he is still capable of tuning the audience to his euphonious tracks. The climax arrangement and the propensity that is created in the last 25 minutes is massively supported by sattru munbu song and the bgm, making it distinctly world-class. The breakage and assembly of songs pertaining to the situations is way profound and kudos to the director. When the maestro's music and Gautham's prominent visuals synchronizes, it does wonders. Not forgetting the dominant contribution, Na.Muthukumar made the songs gripping and feasible to connect with the gallery.
Though being a quality experiment, the long shots and excessive reality may hinder the repeat audience for it made the screenplay real passive and stagnant. As per the present scenario, one of the main countenance of films is to entertain which is not satisfied by NEP. We can see the solace amongst the audience when Santhanam appears and their hankering for his presence. It's no surprise even for the director to see cynical reactions from B and C class audience as it was not intended for them. There is no point in contravening the critiques.
NEE THANE EN PONVASANTHAM
#Unseen urban classic with an off-beat narration.
#Guaranteed gratification for moviegoers.
#Applause for the director for his exquisite boldness to film a script in a raw and artistic manner without spicing it up with any commercial facets and bearings to satisfy the marketing demands or its strategies.