5/10
West Memphis Freed
15 June 2013
The (temporary) grand finale to one of the cases of the last few decades. Recapping the story about the West Memphis Three: Damien Wayne Echols, Jessie Misskelley and Jason Baldwin, a trio of outcast youth convicted for the murder of three school-kids in the woods near Memphis. Back in 1993 a wild witch (or more truthfully satanist) hunt was initiated, pinning the whole gruesome murders onto dark-clad heavy-rock listening youth with a individualist spirit. Echols was deemed the ring-leader, Baldwin was made guilty by association, while Misskelley was the victim of police coercion and forced testimony. Together all suspects were sentenced with Echols being gifted a death verdict.

Throughout the years "Paradise Lost" has served as a saving grace for the three young boys, most likely wrongly convicted of any crime - almost all family members of the victims agree to this point of view. Eleven years after the second part was filmed this could well be the last part in this conviction of a corrupt legal system, who sentenced kids to hefty punishments based on prejudice and hearsay. To the most part "Paradise Lost 3" serves well as a source of information regarding the whole sequence of events, strongly insinuating the innocence of the accused. Largely relying on traditional storytelling methods the documentary basically hits home its message, without really exerting too much emotional involvement - a stark contrast to the previous parts.

The weakest link here seems however the need to focus on answering the question: If the West Memphis Three were innocent, than who committed these heinous acts? Much to the detriment to the overall trilogy. Many years ago part 2 strongly implicated John Mark Byers, the father of one of the victims as the murderer, most likely wrongfully so based on flimsy evidence and misconceptions. Despite not learning from that failure in connect the dots, "Paradise Lost 3: Purgatory" goes even further in its damnation of Terry Hobbs, stepfather of another boy, as the most likely suspect. Even though the evidence is purely circumstantial several of the people involved in the movie pinpoint the man as the perpetrator, dedicated a misguided prolonged segment to his person. Whether or not Hobbs is guilty remains a mystery best solved by forensic scientists and in court, not by documentary filmmakers, who have basically replicated the same sin committed by the courts, that sentenced the teenage threesome: implication based on prejudice and half-truths or unknowns. This runtime would have probably best serve to highlight how the freed men, after 18 years of incarceration, are now coping with integrating back into society - half a life wasted due to judicial incompetence. A definite red light in my book, hence a significantly lowered rating.

Nonetheless "Paradise Lost" serves it purpose as a key instrument of changing public perceptions on the death penalty and the frailties of police and justice systems, making a strong case for reasonable doubt in their objective functionality.
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