What lends its sentimentality a crooked twist is how its premise is relentlessly influenced by the cutthroat philosophy of Mughal Emperor Aurangzeb. Director Atul Sabharwal tackles the conflicting interests of conscience and conditioning with his robustly executed first film for Yash Raj. Deeply derivative of the traditional Hindi film narrative where blood-ties gain precedence over individual turbulence, Aurangzeb works even in its inept form. Because, one, Sabharwal constructs a compelling, intricate conspiracy of deceit and motive around predominantly grey characters, where chances are anyone can turn a volte face, for better or worse.And because Aurangzeb's momentum is steady and swift, the loopholes are skilfully minimised even if only temporarily
Review of Aurangzeb
