Picture Day (2012)
3/10
Stuck between adolescence, adolescence and stereotypical immaturity
9 October 2013
"Picture Day" stars Tatiana Maslany as Claire, a girl who's described as being caught in between adolescence and adulthood. But that's only accurate if adulthood is actually an immature state of being where teenagers are snarky and rude because they think they're cool and smarter than everybody else. She's smack dab in the middle of adolescence no matter how mature she might think she is.

During Claire's last year of high school – again, she meets two guys. Jim is legally an adult, thereby making him older and wiser. He also represents the sex, drugs and rock & roll stage of "adulthood". Henry is younger than Claire, but also mature, studious and observant. He's also more sheltered and needs someone to show him the harsh realities of coming of age.

The coming of age parallels within in this film are apparent and abundant. Claire's stuck between adolescence and adulthood and is repeating her last year of high school – as if she's unable to know when she needs to grow up. She's also torn between two guys, representing the high school and adult worlds she's torn between. And then within the guys themselves, the older one is more immature and less adapted to the adult-world and has no need for Claire himself. While the younger one can provide Claire with the stability she needs and has the maturity to approach adolescence like an adult.

The problem is all those parallels are represented within the premise, once you actually start watching the movie, there's nothing left to discover. "Think these ideas are smart? Good, because that's all we've got."

Worse is that the characters themselves don't provide any reasons to keep watching. Claire is rude, insolent and immature, and doesn't deserve our sympathy or even our attention. Jim is a walking, talking stereotype that is even more annoying than that sounds. Henry is a decent character, and since that should solve her boy-related dilemma, the only dilemma that's left is why we're still watching.
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