Discopathe tells the story of a young man whose childhood is traumatized by an incident involving Disco music. Since that time he cannot bear to listen to this music and even becomes a psychotic killer when exposed to its groovy bass lines and pumping bass drum.
Okay, it's all a bit silly really but with that in mind, this movie is such a cool load of fun.
Exploitation genre fans of stuff like Maniac, Tenebrae and The New York Ripper are likely to find much to enjoy in this tongue-in-cheek gore fest. When it gets gruesome, it ticks the splatter box pretty well so that hardened gore hounds can get their fix, yet it manages to keep the mood light, unlike the movies which it pays homage to.
The language switch halfway through the film is a bit jarring for the English speaking viewer, as the film kind of presses a reset button but it manages to regain pace fairly quickly and get back on track. Unlike many films these days, it has a very satisfying ending.
If you really can't stand disco music, this film might get a bit tedious, with the soundtrack being truly awash with the stuff but personally, I thought it was its beating heart.
If in recent years you have enjoyed the likes of Hatchet, House of the Devil and Planet Terror which look back fondly on the golden era of splatter, then this one will probably join those on your list. I'm not too sure if it is likely appeal to the rest of the movie-going public but then I don't think director Renaud Gauthier would care that much.
He certainly wears his heart on his sleeve for Discopathe.
Okay, it's all a bit silly really but with that in mind, this movie is such a cool load of fun.
Exploitation genre fans of stuff like Maniac, Tenebrae and The New York Ripper are likely to find much to enjoy in this tongue-in-cheek gore fest. When it gets gruesome, it ticks the splatter box pretty well so that hardened gore hounds can get their fix, yet it manages to keep the mood light, unlike the movies which it pays homage to.
The language switch halfway through the film is a bit jarring for the English speaking viewer, as the film kind of presses a reset button but it manages to regain pace fairly quickly and get back on track. Unlike many films these days, it has a very satisfying ending.
If you really can't stand disco music, this film might get a bit tedious, with the soundtrack being truly awash with the stuff but personally, I thought it was its beating heart.
If in recent years you have enjoyed the likes of Hatchet, House of the Devil and Planet Terror which look back fondly on the golden era of splatter, then this one will probably join those on your list. I'm not too sure if it is likely appeal to the rest of the movie-going public but then I don't think director Renaud Gauthier would care that much.
He certainly wears his heart on his sleeve for Discopathe.