At first Poirot seems like a comic book character, and really that does not change much. However, once the viewer is inured to the fantasy-like stories, it becomes very entertaining. What strikes me most about the series is the superb photography, the choice of vistas, the colors of the scenery, of the vehicles, and of the characters' clothing. The "art deco" look of the buildings, art, furnishing, and clothing is eye candy.
Poirot's supposed genius and ability to figure out even the most convoluted situations is gratifying for those who want the bad guys caught and the good guys rewarded. His ability to admit his failure is notable, but sometimes it is as if he is saying, "I am sorry I thought myself wrong, when I was really right." Poirot's sidekick Captain Hastings is much like Holmes' Watson, about a step and a half behind and a day late. Much as with Watson, one wonders what good Hastings does, but sees clearly the impediment he is to Poirot.
A classic and characteristic exchange between Poirot and Hastings shows the contrast between the shallow Hastings and pensive Poirot. After speaking with the "Veiled Woman" (a villainess posing as blue blood), Hastings says, "What a stunning woman!" Poirot replies with a knowing smile, "I sometimes think mon ami, that you are too easily stunned."
Chief Inspector Jap at first is the bumbling, jealous cop who resents Poirot and gets in Poirot's way. As the series develops, Jap's respect for Poirot grows as does Poirot's for Jap. Eventually Jap becomes an ally and helper for Poirot. It is funny to see the contrast, as Poirot stays in the finest hotels while on a case, while Jap shares a bed (out of fiscal necessity) with another cop in a hostel. When Jap visits Poirot's office, he is served coffee in a plain cup and saucer, while Poirot drinks his nog (looks like Irish coffee) from a fancy clear, silver-handled tankard.
All in all this is a very good series, and fuels the addiction of movie-lovers like me. Another well-done British production; head and shoulders above anything on American TV. This from an American reviewer.
Poirot's supposed genius and ability to figure out even the most convoluted situations is gratifying for those who want the bad guys caught and the good guys rewarded. His ability to admit his failure is notable, but sometimes it is as if he is saying, "I am sorry I thought myself wrong, when I was really right." Poirot's sidekick Captain Hastings is much like Holmes' Watson, about a step and a half behind and a day late. Much as with Watson, one wonders what good Hastings does, but sees clearly the impediment he is to Poirot.
A classic and characteristic exchange between Poirot and Hastings shows the contrast between the shallow Hastings and pensive Poirot. After speaking with the "Veiled Woman" (a villainess posing as blue blood), Hastings says, "What a stunning woman!" Poirot replies with a knowing smile, "I sometimes think mon ami, that you are too easily stunned."
Chief Inspector Jap at first is the bumbling, jealous cop who resents Poirot and gets in Poirot's way. As the series develops, Jap's respect for Poirot grows as does Poirot's for Jap. Eventually Jap becomes an ally and helper for Poirot. It is funny to see the contrast, as Poirot stays in the finest hotels while on a case, while Jap shares a bed (out of fiscal necessity) with another cop in a hostel. When Jap visits Poirot's office, he is served coffee in a plain cup and saucer, while Poirot drinks his nog (looks like Irish coffee) from a fancy clear, silver-handled tankard.
All in all this is a very good series, and fuels the addiction of movie-lovers like me. Another well-done British production; head and shoulders above anything on American TV. This from an American reviewer.