This fanciful biography bears only a family resemblance to Jack London's life. (Maybe it should have been called "Jack Liverpool".) The writer and director have taken a remarkable man whose life went from the pits through triumph to tragedy and turned it into a moral tale that belongs in a comic book of the period.
I was a fan of Jack London as a high school kid -- loved his short stories about adventure and adverse circumstances. Later I was able to view his work from a more mature and generous perspective. He wasn't a great writer but he put out some gripping stuff based on his own experiences. "The Sea Wolf," which is barely alluded to in the movie, is a fine work, at least until we get into that plummy romance. Anyone familiar with the San Francisco Bay area should read the opening, in which "Hump" takes a ferry from the city to Sausalito and is rammed in the fog by another ship. It's flawless description. The circumstances are so aptly rendered that it could happen the same way tomorrow.
Okay. So here's Jack London up in the Yukon during the gold rush. That's the source of stories like "The Call of the Wild" and "To Build a Fire." And what do we get? Five minutes of Michael O'Shea in a small log cabin, alone except for a dog, looking out the window at the snow and having a conversation about his work with the dog, Buck, who gives a fine performance, by the way.
The editing is terrible. It's not a flaw or a virtue that brings attention to itself very often. But I couldn't tell whether O'Shea was married to Susan Hayward, just visiting, or shacking up with her. London becomes an "oyster pirate." What is an oyster pirate? Another episode begins with talk of war breaking out and London receives an offer to go to Japan as a correspondent. WHAT war? Who is going to war with whom? Is it World War I? If so, why is London going to Tokyo? The words "Russo-Japanese War" (1905) are never mentioned.
That war itself takes up about the last third of the movie and it's curiously rendered. The movie was released in 1943. The Japanese are all smiles, bows, torture, and treachery. They open the conflict by attacking the Russians at Port Arthur without warning "to get, how do you say in your country, the first punch?" London replies: "You mean a sucker punch." (Kids, that's a reference to the Japanese attack on the US bases at Pearl Harbor in 1941, that led to World War II. PS: We won.) The Japanese massacre pitiful Russian prisoners who are dying of thirst, and they explain to London exactly how they plan to go about conquering the world, including the US and Britain, when the time comes.
In 1963, a big-budget movie called "55 Days at Peking" was released. It was about the Boxer Rebellion in China, which took place 5 years before the Russo-Japanese War. In "55 Days at Peking", the Japanese are our allies, the Russians are shifty, and the Chinese are enemies. Politics makes strange bedfellows.
As London, Michael O'Shea is likable without being a particularly impressive actor. He has a fresh, open face that looks like the map of Ireland. His family were all Irish cops in Hartford. Virginia Mayo is his first girl friend. He goes through one or two more, just in case the audience has any doubt about his gender orientation, until he meets Charmiane, the love of his life, upon whose book this movie is based.
I don't think I'll go on. In life, Jack London did begin his go-to-hell life as an oyster pirate -- robbing the bivalves at night from oyster beds belonging to someone else. He was a union man and socialist, an imprisoned vagrant, a sailor. He did go to the Yukon and did become a famous writer. He was one of the first to establish an artist's colony in Carmel, California, on Monterey Bay. Then he got into heroin and booze and retreated to a ranch in what is now wine country, where he died in 1916.
I was a fan of Jack London as a high school kid -- loved his short stories about adventure and adverse circumstances. Later I was able to view his work from a more mature and generous perspective. He wasn't a great writer but he put out some gripping stuff based on his own experiences. "The Sea Wolf," which is barely alluded to in the movie, is a fine work, at least until we get into that plummy romance. Anyone familiar with the San Francisco Bay area should read the opening, in which "Hump" takes a ferry from the city to Sausalito and is rammed in the fog by another ship. It's flawless description. The circumstances are so aptly rendered that it could happen the same way tomorrow.
Okay. So here's Jack London up in the Yukon during the gold rush. That's the source of stories like "The Call of the Wild" and "To Build a Fire." And what do we get? Five minutes of Michael O'Shea in a small log cabin, alone except for a dog, looking out the window at the snow and having a conversation about his work with the dog, Buck, who gives a fine performance, by the way.
The editing is terrible. It's not a flaw or a virtue that brings attention to itself very often. But I couldn't tell whether O'Shea was married to Susan Hayward, just visiting, or shacking up with her. London becomes an "oyster pirate." What is an oyster pirate? Another episode begins with talk of war breaking out and London receives an offer to go to Japan as a correspondent. WHAT war? Who is going to war with whom? Is it World War I? If so, why is London going to Tokyo? The words "Russo-Japanese War" (1905) are never mentioned.
That war itself takes up about the last third of the movie and it's curiously rendered. The movie was released in 1943. The Japanese are all smiles, bows, torture, and treachery. They open the conflict by attacking the Russians at Port Arthur without warning "to get, how do you say in your country, the first punch?" London replies: "You mean a sucker punch." (Kids, that's a reference to the Japanese attack on the US bases at Pearl Harbor in 1941, that led to World War II. PS: We won.) The Japanese massacre pitiful Russian prisoners who are dying of thirst, and they explain to London exactly how they plan to go about conquering the world, including the US and Britain, when the time comes.
In 1963, a big-budget movie called "55 Days at Peking" was released. It was about the Boxer Rebellion in China, which took place 5 years before the Russo-Japanese War. In "55 Days at Peking", the Japanese are our allies, the Russians are shifty, and the Chinese are enemies. Politics makes strange bedfellows.
As London, Michael O'Shea is likable without being a particularly impressive actor. He has a fresh, open face that looks like the map of Ireland. His family were all Irish cops in Hartford. Virginia Mayo is his first girl friend. He goes through one or two more, just in case the audience has any doubt about his gender orientation, until he meets Charmiane, the love of his life, upon whose book this movie is based.
I don't think I'll go on. In life, Jack London did begin his go-to-hell life as an oyster pirate -- robbing the bivalves at night from oyster beds belonging to someone else. He was a union man and socialist, an imprisoned vagrant, a sailor. He did go to the Yukon and did become a famous writer. He was one of the first to establish an artist's colony in Carmel, California, on Monterey Bay. Then he got into heroin and booze and retreated to a ranch in what is now wine country, where he died in 1916.