Review of Snow White

Snow White (1987)
80s to the max, the perfect decade for fairy tales
15 January 2014
Recall the fabulous 80s: Knight Rider, Wham!, Peewee's Playhouse. It was a time of artistic innocence, and as such it was the perfect era for fairytale adaptations. Cannon Movie Tales' "Snow White" falls squarely into that vibe, and if you watch it with the mind of a child (or literally with a child), you'll indeed be transported to a fantasy land much removed from our 21st century gritty reality & cynicism.

Scenes are bright, songs are bouncy, acting is delightfully melodramatic, and the story is simple yet engaging. I hated it. But that's because I was expecting something a little edgier like maybe "Willy Wonka" (made a decade prior). When I accepted that this was a true children's film, not an adult's film under the guise of a children's film like "Wonka", I had a great time.

This film adaptation, one of Cannon Movie Tales' 9 installments, is remarkably close to the Grimm's vision. For that reason, the story may seem a little drawn out & redundant, showing all 3 attempts by the Evil Queen to nix Snow White, unlike the famous Disney version which showed only the apple. But I think this worked because it showed the Evil Queen's growing frustration, obsession & Faustian descent into black magic, all leading to the frenzied climax. It might be fun for you to read the Grimm's version before seeing this movie so you can see the pages come to life visually, almost exactly as the story was meant (it's only 5 pages, on gutenberg.org). There is one small variation, the ending (which I won't ruin). I found it to be very symbolic, poetic & satisfying, much more than the original Grimm's ending which, in Grimm tradition, is rather sudden and extreme.

Special effects are minimal but effective. Obviously there's no digital cgi; instead the film relies on good old creative stunts, like you'd see in Jean Cocteau's timeless "Beauty and the Beast" (1950) or the obscure Russian fantasy horror "Viy" (1967). I was really impressed, and slightly creeped out, by the talking mirror which was played by the head of Julian Chagrin painted white with no eyeballs, partially thrust through the wall creating the simple yet convincing illusion that he's part of the frame.

The acting, as I said above, is delightfully melodramatic as a fairytale should be. I agree with everyone else that Diana Rigg (an ex-Bond girl from the 70s "Her Majesty's Secret Service") is well cast as the Evil Queen, cruel, intimidating and oddly funny when she sings my favorite song from the film, "More Beautiful Than Me", sort of a wicked tango in a minor key (check it out on Youtube).

Other songs range from fun to forgettable, but none are bad. Something I found interesting was the way the song styles were deliberately anachronistic and inappropriate for the setting (as with the aforementioned tango ...in 15th century Germany??).

As far as fairytale adaptations go, this one is worth the price of admission. The DVD is quite rare, but occasionally you'll see one pop up on ebay for surprisingly cheap. The 2005 DVD is non-anamorphic letterboxed, meaning it's made for standard 4:3 TV sets even though the film is widescreen, and on widescreen tvs it doesn't fill the entire set. It would be nice to see this with the HD Blu-ray treatment some day. But considering for 20 years there were only a few VHS copies floating around, it's great that this cute film is finally available on disc.
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