Greetings again from the darkness. A very low-budget indie done in the vignette style with multiple characters and story lines is a very ambitious undertaking for first time writers (Rachel Noll, Katy K Burton) teamed with a first time director (Eric Priestley). The inexperience shows, but there is also enough spark here to raise a little interest in the parties involved.
The cast includes the two co-writers, Sean Stone (director Oliver Stone's son), Nancy Karr (former Laker girls), Elizabeth Izzo, and brief appearances from Keith David, Jake Busey, C Thomas Howell and Jeremy London. Hannah (Ms. Noll) is an artist who is told she is in the final stages of cancer. Danielle (Ms. Burton) is a rising movie star trying to balance her shot at fame with family demands and a personal life. Jill (Ms. Karr) is an aspiring ballet dancer stuck in lousy marriage with a workaholic jerk. Brooke (Ms. Izzo) is a young pregnant girl in desperate need of guidance.
It would be nice if the stories of the four ladies were better intertwined, though the climactic convergence in a diner provides a quick glimpse of what could have been. All of the stories involve the characters attempting to overcome obstacles and re-gain control of their own lives. They have each missed opportunities and are dealing with that crazy thing we all call life ... the one thing we don't want to pass us by.
The film often suffers from heavy-handed melodrama, especially the overly-sentimental songs directing us how to feel at any given moment. But given the low budget and lack of resume from the filmmakers, it's actually a promising effort.
The cast includes the two co-writers, Sean Stone (director Oliver Stone's son), Nancy Karr (former Laker girls), Elizabeth Izzo, and brief appearances from Keith David, Jake Busey, C Thomas Howell and Jeremy London. Hannah (Ms. Noll) is an artist who is told she is in the final stages of cancer. Danielle (Ms. Burton) is a rising movie star trying to balance her shot at fame with family demands and a personal life. Jill (Ms. Karr) is an aspiring ballet dancer stuck in lousy marriage with a workaholic jerk. Brooke (Ms. Izzo) is a young pregnant girl in desperate need of guidance.
It would be nice if the stories of the four ladies were better intertwined, though the climactic convergence in a diner provides a quick glimpse of what could have been. All of the stories involve the characters attempting to overcome obstacles and re-gain control of their own lives. They have each missed opportunities and are dealing with that crazy thing we all call life ... the one thing we don't want to pass us by.
The film often suffers from heavy-handed melodrama, especially the overly-sentimental songs directing us how to feel at any given moment. But given the low budget and lack of resume from the filmmakers, it's actually a promising effort.