I'm not really in the habit of investigating the astrological qualities of directors, but when I checked IMDb's bio for writer/director Joel Hopkins, I immediately noticed it says he's a Virgo. "Ahhh," I said knowingly and leaned back, sipping on a chalice of cherry kool aid which I pretended was the blood of my enemies. I'm a scorpio.
The stereotypical male Virgo qualities read like a description of the main character and the film's tone in general: "Quiet, undemonstrative and introvert. Gentle, helpful and sympathetic by nature, the Virgo men often face criticism for being finicky as they are very particular about how they want things to be."
"Last Chance Harvey" is a quiet, undemonstrative and introverted film with a gentleness and precise delivery. It's the story of a couple of "5th wheels" (played by Dustin Hoffman & Emma Thompson) who suffer the daily indignity of slowly realizing that they don't fit in anywhere. Dustin's character is a divorced, failed father who has been squeezed out of his family by a more capable new step father in the mix. He is a TV composer by trade, but his archaic, old school approach has become obsolete in light of the snappier, edgier kids taking over the industry. He doesn't seem to have any friends or any life at all. Emma plays a similar character; she has a job as a survey taker at the airport where every day she is ignored or brushed aside by the thousands of people with more important schedules. She's single, awkward, cynical, and is the kind of person who ends up on dates with men who don't notice when she leaves.
The movie asks the question: do these people have what it takes to break out of their rut? Or will they forever be hopeless schleps feeling sorry for themselves and embracing obscurity? It's obvious what they should do, but will they do it? And that's the mystery that makes this an interesting and original romcom.
Also there's the fact that there aren't a whole lot of romcoms about late-40 and 50-something characters, let alone with great actors like this, so that itself is a novelty.
Another bonus is some very nice London scenery. Is it me, or do all romcoms happen in New York City or LA these days? London, there's a refreshing change. And it was nice (albeit a little unrealistic) to see bright, sunny days in every shot, really highlighting the urban charm.
So, like the Virgo description, there's not a lot of flashy drama, pizazz, car chases and crazy hijinks in this film. The humor is low key and "British" (for example, an ongoing subplot is Emma's cloistered mother who is convinced that their new neighbor is a creepy serial killer, so she stands at the window staring at him all day). And the "conflict" in Dustin & Emma's relationship isn't any great plot twist but rather the simple question of whether they're so entrenched in misery that they'll sabotage their own chance for happiness.
Dustin & Emma displayed a great on-screen chemistry, not unlike they briefly had (just 1 scene) in the excellent film "Stranger than Fiction" a few years earlier. In fact, after seeing this movie I had to google if they were an item in real life. Alas, apparently not.
In the end it was nothing in particular that made this an enjoyable film, but rather it was all the little exceptional qualities like the ones I've mentioned that made this a winner. If you like this sort of stuff.
If, on the other hand, you find yourself wanting a somewhat more spontaneous, impetuous, explosive movie to watch, check out an Aries director like Quentin Tarantino.
The stereotypical male Virgo qualities read like a description of the main character and the film's tone in general: "Quiet, undemonstrative and introvert. Gentle, helpful and sympathetic by nature, the Virgo men often face criticism for being finicky as they are very particular about how they want things to be."
"Last Chance Harvey" is a quiet, undemonstrative and introverted film with a gentleness and precise delivery. It's the story of a couple of "5th wheels" (played by Dustin Hoffman & Emma Thompson) who suffer the daily indignity of slowly realizing that they don't fit in anywhere. Dustin's character is a divorced, failed father who has been squeezed out of his family by a more capable new step father in the mix. He is a TV composer by trade, but his archaic, old school approach has become obsolete in light of the snappier, edgier kids taking over the industry. He doesn't seem to have any friends or any life at all. Emma plays a similar character; she has a job as a survey taker at the airport where every day she is ignored or brushed aside by the thousands of people with more important schedules. She's single, awkward, cynical, and is the kind of person who ends up on dates with men who don't notice when she leaves.
The movie asks the question: do these people have what it takes to break out of their rut? Or will they forever be hopeless schleps feeling sorry for themselves and embracing obscurity? It's obvious what they should do, but will they do it? And that's the mystery that makes this an interesting and original romcom.
Also there's the fact that there aren't a whole lot of romcoms about late-40 and 50-something characters, let alone with great actors like this, so that itself is a novelty.
Another bonus is some very nice London scenery. Is it me, or do all romcoms happen in New York City or LA these days? London, there's a refreshing change. And it was nice (albeit a little unrealistic) to see bright, sunny days in every shot, really highlighting the urban charm.
So, like the Virgo description, there's not a lot of flashy drama, pizazz, car chases and crazy hijinks in this film. The humor is low key and "British" (for example, an ongoing subplot is Emma's cloistered mother who is convinced that their new neighbor is a creepy serial killer, so she stands at the window staring at him all day). And the "conflict" in Dustin & Emma's relationship isn't any great plot twist but rather the simple question of whether they're so entrenched in misery that they'll sabotage their own chance for happiness.
Dustin & Emma displayed a great on-screen chemistry, not unlike they briefly had (just 1 scene) in the excellent film "Stranger than Fiction" a few years earlier. In fact, after seeing this movie I had to google if they were an item in real life. Alas, apparently not.
In the end it was nothing in particular that made this an enjoyable film, but rather it was all the little exceptional qualities like the ones I've mentioned that made this a winner. If you like this sort of stuff.
If, on the other hand, you find yourself wanting a somewhat more spontaneous, impetuous, explosive movie to watch, check out an Aries director like Quentin Tarantino.