The Perfect 46
The Perfect 46 follows in a recent trend in science fiction, that is more interested in exploring the potential of human experience than actually depicting that future through CGI and fancy sets. The Perfect 46 offers new slant on this trend though; whereas the work of Shane Carruth, Gareth Edwards and Duncan Jones focuses on ordinary people dealing with future concepts. The Perfect 46 looks at the experience of the person who has invented the new 'thing' and who has to take responsibility for it when it fails.
That person is Jesse Darden, creator of theperfect46.com: a website service which takes the genome sequence of you and your partner and tells you the likelihood of any future child inheriting a life altering condition.
The film is an interesting mix of stories than depict Jesse's life in various different ways. Snapshots of his personal life and the business' development are contrasted with a tense and slightly sinister break-in at Jesse's home and the discovery, by one of the burglars, of a TV-style documentary about the company and Jesse (which does well to provide all the contextual information and science-fictionally elements of the plot).
In combining these elements the film is able to convey a lot of information whilst still having the space to explore the impact of theperfect46.com in a more naturalistic way. The central example being an extended dinner party scene, where the guests challenge Jesse on his ideals and a technology conference where Jesse spells out his idealistic view of theperfect46.com.
These aspects of the film are so unusual and well conceived that it is almost disappointing that the film takes a more emotional turn in the ending, revealing the motivation of one of the burglars is connected to a very personal experience.
The Perfect 46 is a remarkably brave film that deals with the difficult topic of eugenics, calls into question the responsibility of the dotcom tycoons who have a significant affect on everyday lives and doing so without grandstanding special effects but with a naturalistic and intricate script and an outstanding central performance by Whit Hertford.
The Perfect 46 follows in a recent trend in science fiction, that is more interested in exploring the potential of human experience than actually depicting that future through CGI and fancy sets. The Perfect 46 offers new slant on this trend though; whereas the work of Shane Carruth, Gareth Edwards and Duncan Jones focuses on ordinary people dealing with future concepts. The Perfect 46 looks at the experience of the person who has invented the new 'thing' and who has to take responsibility for it when it fails.
That person is Jesse Darden, creator of theperfect46.com: a website service which takes the genome sequence of you and your partner and tells you the likelihood of any future child inheriting a life altering condition.
The film is an interesting mix of stories than depict Jesse's life in various different ways. Snapshots of his personal life and the business' development are contrasted with a tense and slightly sinister break-in at Jesse's home and the discovery, by one of the burglars, of a TV-style documentary about the company and Jesse (which does well to provide all the contextual information and science-fictionally elements of the plot).
In combining these elements the film is able to convey a lot of information whilst still having the space to explore the impact of theperfect46.com in a more naturalistic way. The central example being an extended dinner party scene, where the guests challenge Jesse on his ideals and a technology conference where Jesse spells out his idealistic view of theperfect46.com.
These aspects of the film are so unusual and well conceived that it is almost disappointing that the film takes a more emotional turn in the ending, revealing the motivation of one of the burglars is connected to a very personal experience.
The Perfect 46 is a remarkably brave film that deals with the difficult topic of eugenics, calls into question the responsibility of the dotcom tycoons who have a significant affect on everyday lives and doing so without grandstanding special effects but with a naturalistic and intricate script and an outstanding central performance by Whit Hertford.