Toward the Unknown (1956)
In some ways this is fascinating stuff—you get a glimpse of mid-50s American military aeronautics, and a specific mention (and micro-glimpse) of the rocket efforts marking early space technology. William Holden plays a troubled test pilot who leads us through the different planes and testing efforts via his own return and rise through the system. It's not bad.
However.
You can't quite call this a formula film—maybe a genre film if there is a genre called test pilots in trouble—but there is a canned quality to this whole thing that holds it back unreasonably. There is the woman from his past who loves him but also has an affair going with the general (the likable Lloyd Nolan) on the base (Edwards Air Force Base). There are the competing test pilots (all good actors known mostly for television). It makes for a good group that is forced into a thin plot about rivalry and camaraderie.
The really best part of the plot (and the reason I watched the movie at first) is that Holden is a man who was in a Korean War prison camp, where he was abused and tortured and "brainwashed." It's this last thing that was so talked about at the time, and which was used to make some really terrific movies like "The Manchurian Candidate," and I wanted to see where it would go here. Well, a heads up, it goes nowhere. His prison camp experience causes a pivotal scene in the movie on the base, but it doesn't seem to have anything to do with brainwashing.
Too bad on that.
Holden by this point in his career is not the leading man he once was, though this is just five years after his terrific comeback year with "Union Station" and "Sunset Blvd." But he's really good, holding his scenes together with the woman (Virginia Leith) who has the eyes (blue) and lips (red) to pop on the WarnerColor screen, but who can't act very well.
Obviously if you like airplanes and the air force, this is a movie to definitely see. Some great footage of test aircraft in flight (real footage from the military). And of course the whole supersonic flying experiments were a big deal at the time. If all of this seems a bore and too historical for a good movie, you're partly right. It's not a great plot or drama. But it's not a terrible movie by any means. Director Mervyn LeRoy, rightfully a legend by now, and cinematographer Harold Rossen, equally a legend, together made sure that it held water and survives it's own flaws very well.
In some ways this is fascinating stuff—you get a glimpse of mid-50s American military aeronautics, and a specific mention (and micro-glimpse) of the rocket efforts marking early space technology. William Holden plays a troubled test pilot who leads us through the different planes and testing efforts via his own return and rise through the system. It's not bad.
However.
You can't quite call this a formula film—maybe a genre film if there is a genre called test pilots in trouble—but there is a canned quality to this whole thing that holds it back unreasonably. There is the woman from his past who loves him but also has an affair going with the general (the likable Lloyd Nolan) on the base (Edwards Air Force Base). There are the competing test pilots (all good actors known mostly for television). It makes for a good group that is forced into a thin plot about rivalry and camaraderie.
The really best part of the plot (and the reason I watched the movie at first) is that Holden is a man who was in a Korean War prison camp, where he was abused and tortured and "brainwashed." It's this last thing that was so talked about at the time, and which was used to make some really terrific movies like "The Manchurian Candidate," and I wanted to see where it would go here. Well, a heads up, it goes nowhere. His prison camp experience causes a pivotal scene in the movie on the base, but it doesn't seem to have anything to do with brainwashing.
Too bad on that.
Holden by this point in his career is not the leading man he once was, though this is just five years after his terrific comeback year with "Union Station" and "Sunset Blvd." But he's really good, holding his scenes together with the woman (Virginia Leith) who has the eyes (blue) and lips (red) to pop on the WarnerColor screen, but who can't act very well.
Obviously if you like airplanes and the air force, this is a movie to definitely see. Some great footage of test aircraft in flight (real footage from the military). And of course the whole supersonic flying experiments were a big deal at the time. If all of this seems a bore and too historical for a good movie, you're partly right. It's not a great plot or drama. But it's not a terrible movie by any means. Director Mervyn LeRoy, rightfully a legend by now, and cinematographer Harold Rossen, equally a legend, together made sure that it held water and survives it's own flaws very well.