Serving detention on a Saturday morning is a teens absolute worst nightmare, but then also having to do it with your natural born enemies, makes medieval torture seem rather tame. But only when their worlds collide could they find out they have a lot more common than they originally might have thought; whilst also finding out that the grass isn't always greener on the other side.
It should come as no surprise to find out that the king of all teen films, had to be helmed by John "the king of the 80's Hughes", who with the most seminal of all teen and coming of age films ever in the Breakfast club, single handedly brought a fresh teen view and perspective to the adult masses. Of course he has ventured into the world of teen films before with the likes of sixteen candles and Pretty in Pink, but in The Breakfast Club he takes it t all new conquering heights.
The American high school experience is generally always coupled with the notion of clicks, your cheerleaders, nerds, geeks etc. but when you see Breakfast club with its jock, popular girl, rebel, geek and the weird girl, it is plain to see where the archetypes and labels come from. It wasn't just the outstanding pioneering accomplishments Hughes brought to BC, but it was the uncompromising honesty and heart he brought to the film as well, which is its true selling point.
Throughout BC 97 minute run, it never once degrades itself into the realm of pandering to cheap stereotypes and gags just to raise a few laughs and fill screen minutes, instead it chooses to explore the painful truth of adolescence; the never being able fitting in, never seeming to be good enough or never being able to comply with your parents ideals and their suffocating high expectations no matter how hard you try. Being a teenager can at times be about struggling to find 'self' when you don't know what 'self' is and being crushed by the weight of endless possibilities. Whilst at the other end of the spectrum it can be about having the world at your feet inviting you desperately to explore it in its entire splendour, as well allowing you to become the very definition of care free. So it was this fine exploration of the paradoxes and delicate balance of adolescence that Breakfast Club was so effectively able delve into, leaving a profound after effect on not only me, not even a whole generation, but on cinema itself.
What I loved best about BC, was the verve and energy all the young actors brought to their roles, but trying to choose a favourite amongst the five main characters, is like trying to choose your favourite child, because each of them has found an equal place in my heart.
Another aspect of the film I simply adored was the heart wrenching closing scene when despite everyone objections, popular girl Claire bursts everyone bubble by telling the painful truth, that no matter how strong they thought they bonded with each other, the fact remained that because they are all from different clicks at school, come Monday they would go back to being merely passing strangers in the school halls again just to save face in front of each of their friends. I've watched the film 4 times already, but as long as my computer keeps on working and the DVD keeps on playing, then I'm going to keep on watching.
It should come as no surprise to find out that the king of all teen films, had to be helmed by John "the king of the 80's Hughes", who with the most seminal of all teen and coming of age films ever in the Breakfast club, single handedly brought a fresh teen view and perspective to the adult masses. Of course he has ventured into the world of teen films before with the likes of sixteen candles and Pretty in Pink, but in The Breakfast Club he takes it t all new conquering heights.
The American high school experience is generally always coupled with the notion of clicks, your cheerleaders, nerds, geeks etc. but when you see Breakfast club with its jock, popular girl, rebel, geek and the weird girl, it is plain to see where the archetypes and labels come from. It wasn't just the outstanding pioneering accomplishments Hughes brought to BC, but it was the uncompromising honesty and heart he brought to the film as well, which is its true selling point.
Throughout BC 97 minute run, it never once degrades itself into the realm of pandering to cheap stereotypes and gags just to raise a few laughs and fill screen minutes, instead it chooses to explore the painful truth of adolescence; the never being able fitting in, never seeming to be good enough or never being able to comply with your parents ideals and their suffocating high expectations no matter how hard you try. Being a teenager can at times be about struggling to find 'self' when you don't know what 'self' is and being crushed by the weight of endless possibilities. Whilst at the other end of the spectrum it can be about having the world at your feet inviting you desperately to explore it in its entire splendour, as well allowing you to become the very definition of care free. So it was this fine exploration of the paradoxes and delicate balance of adolescence that Breakfast Club was so effectively able delve into, leaving a profound after effect on not only me, not even a whole generation, but on cinema itself.
What I loved best about BC, was the verve and energy all the young actors brought to their roles, but trying to choose a favourite amongst the five main characters, is like trying to choose your favourite child, because each of them has found an equal place in my heart.
Another aspect of the film I simply adored was the heart wrenching closing scene when despite everyone objections, popular girl Claire bursts everyone bubble by telling the painful truth, that no matter how strong they thought they bonded with each other, the fact remained that because they are all from different clicks at school, come Monday they would go back to being merely passing strangers in the school halls again just to save face in front of each of their friends. I've watched the film 4 times already, but as long as my computer keeps on working and the DVD keeps on playing, then I'm going to keep on watching.