Robert Taylor (Mark) arrives in Nazi Germany to seek out his actress mother Alla Nazimova (Emmy Ritter) who seems to have disappeared. In reality, she is in a concentration camp awaiting execution. Taylor comes up against a brick wall whenever he asks about her and it takes the help of doctor Philip Dorn (Dr Ditten) for him to find out the truth, and he must then prepare to make his escape.
It's an interesting storyline that gets you involved from the beginning. Personally, I liked the German characters of Philip Dorn (I think he deserved a "Thank You") and Nazi General Conrad Veidt (Kurt) the best. There is also a good performance from Albert Bassermann at the beginning of the film where he is left pondering the meaning of the word coward. Incidentally, the lady playing his wife is his actual wife, Elsa Bassermann. I felt that Robert Taylor played his role as a bit of an ungrateful bastard and emerged as quite unlikable. I don't think he was realistic and I couldn't relate to him. And his old pal Felix Bressart (Fritz) was a comedy nitwit character that could have been really annoying, but as such, was just mildly annoying. Nazimova is good in her role as the mother and is involved in some memorable scenes as she is smuggled out of the concentration camp, despite being in a coffin. Is she dead or alive?
There are good scenes of dialogue between Conrad Veidt and his lover Norma Shearer (the Countess), especially when he calls her stupid. Ha ha. Nice one, Conrad. He throws some comedy out there - another example occurs when he confronts Robert Taylor about Taylor's thoughts and sense of humour - yet he still manages to retain a threatening personality. It's a shame that the film decides to give him a weak heart. The ending seems all rather convenient. And check out the bit with the stolen passport and how Nazimova makes herself up to look like the student girl's picture. Freaky!
It's an interesting storyline that gets you involved from the beginning. Personally, I liked the German characters of Philip Dorn (I think he deserved a "Thank You") and Nazi General Conrad Veidt (Kurt) the best. There is also a good performance from Albert Bassermann at the beginning of the film where he is left pondering the meaning of the word coward. Incidentally, the lady playing his wife is his actual wife, Elsa Bassermann. I felt that Robert Taylor played his role as a bit of an ungrateful bastard and emerged as quite unlikable. I don't think he was realistic and I couldn't relate to him. And his old pal Felix Bressart (Fritz) was a comedy nitwit character that could have been really annoying, but as such, was just mildly annoying. Nazimova is good in her role as the mother and is involved in some memorable scenes as she is smuggled out of the concentration camp, despite being in a coffin. Is she dead or alive?
There are good scenes of dialogue between Conrad Veidt and his lover Norma Shearer (the Countess), especially when he calls her stupid. Ha ha. Nice one, Conrad. He throws some comedy out there - another example occurs when he confronts Robert Taylor about Taylor's thoughts and sense of humour - yet he still manages to retain a threatening personality. It's a shame that the film decides to give him a weak heart. The ending seems all rather convenient. And check out the bit with the stolen passport and how Nazimova makes herself up to look like the student girl's picture. Freaky!