9/10
Still a powerful film 59 years later
15 August 2014
Not just a powerful film but also a very, very good one where it is very easy to see why it's considered a classic. It is a well-made film with the observatory shot at the end deserving a big mention and it is wonderfully directed by Nicholas Ray in terms of technical control and his ability in how to make the characters and their relationships compelling. Leonard Rosenman's music captures the 50s beautifully- just like the film's atmosphere does- as well, while the dialogue is thoughtful, treats the subject matter sympathetically without over-idealising and still packs a punch. Some have had that they consider how the characters act and speak outdated, not to me, for the time it was very ahead of its time(Jim's actions and what he said wouldn't dared to be have done and said before then, and the depiction of the parents was different to before too) and I still related to the characters' actions and the way they spoke. The story explores the theme of a teenager alienated by family and society struggling to fit in, and(at least personally) no other film has explored this theme and issue as powerfully and movingly- certainly not as realistically either- as Rebel Without a Cause, and in a way where you identify every step of the way with the characters and what they say and act. And despite what you may think the issue is very much relevant now, as well as important and something a lot of people still feel strongly about, speaking from personal experience in secondary school. The characters are the sort that are easy to relate to and that you can see yourselves in them, Jim Stark is somewhat of an icon now and unsurprisingly, and the film is beautifully played. Aside from the film's subject matter Rebel Without a Cause is remembered most for the performance of James Dean, and there is good reason for that because it is a superb performance and very heartfelt, makes one very sad of how such a promising young talent have their life and career cut short and tragically. Natalie Wood and Sal Mineo both give great supporting turns that are among their best, she charming and compassionate and he bringing an equally troubled character to affecting life. Everybody acquits themselves very well though. It is a shame that the ending is a cop-out and wraps things up too easily, but Rebel Without a Cause is otherwise a must see for particularly James Dean's performance and as a textbook example as to how to make a film with the teenager-struggling-to-fit-in theme. 9/10 Bethany Cox
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