7/10
In defense of Richard Barthelmess
27 September 2014
Warning: Spoilers
I know that Richard Barthelmess is not everyone's cup of tea, when it comes to sound pictures. Yes, his pace is always slower than that of the actors around him. When in dialogue with other characters, he always waits two full beats before speaking (watch for that, it's quite unique to him).

But I like him a lot. In an era dominated by fast talkers, like the great James Cagney and E.G. Robinson, I frankly enjoy the change of pace. More than that, Barthelmess has an exceedingly pleasing gentle nature (again contrary to the more aggressive stars of the era), but best of all are those deep-set brooding eyes of his. He may be the best brooder in all of film history. And he does a lot of brooding in "The Finger Points".

I wonder if Clark Gable, another fast-talker, felt agitated in his many dialogues with Barthelmess, having to always wait those extra few seconds to say his next line.

A strong supporting cast make this a fun and quick little film. Note that Barthelmess's "Breck" is named after two Confederate heroes, Robert E. Lee and John Breckenridge; probably accidental was naming the managing editor of the newspaper "Wheeler" after another Confederate General, but of cavalry.

Regis Toomey is particularly interesting as a man in love with Fay Wray, but who loses her to Barthelmess. It is pleasing to see his character stay true in friendship to them, rather than let bitterness control him. And it is ironic that he never finds out in the end the role he played in Barthelmess's death.

Look out also for the many scenes in which the camera interestingly moves backward for a lengthy distance as the characters move towards the audience. Quite clever and interesting as well.
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