The Criminal Code (1931) is often passed over when it comes to discussion of the films of Howard Hawks, but it's actually one of my favorites from him.
There are a lot of stagey aspects to be sure and the central love story is pretty boring, but there's just so much to love. The film experiments with sound, overlapping dialogue and using crowd noise as a plot element.
The two standout actors are Walter Huston and a pre-stardom Boris Karloff. Anytime either of them walks on screen, everyone else just evaporates. Huston does a great job making the audience love and despise his character. And Karloff is just mesmerizing as Galloway, a convict hell-bent on vengeance.
No masterpiece, but it is an early sign of Hawks' genius. And I would take it over Bringing Up Baby (1938) and His Girl Friday (1940) any day of the week.
There are a lot of stagey aspects to be sure and the central love story is pretty boring, but there's just so much to love. The film experiments with sound, overlapping dialogue and using crowd noise as a plot element.
The two standout actors are Walter Huston and a pre-stardom Boris Karloff. Anytime either of them walks on screen, everyone else just evaporates. Huston does a great job making the audience love and despise his character. And Karloff is just mesmerizing as Galloway, a convict hell-bent on vengeance.
No masterpiece, but it is an early sign of Hawks' genius. And I would take it over Bringing Up Baby (1938) and His Girl Friday (1940) any day of the week.