8/10
Omaha Indie
11 November 2014
Flyover Country has its moments of clarity and insight. It seems to know what it wants to say, but somewhere along the way, at intervals, it looses grasp on its own voice. This is not necessarily a bad thing, depending on how you view the film, since the film is precisely about that: Finding a voice (or being at conflict with one).

Ideas, trends and snobbisms seem to define Flyover's characters more than their own thoughts. At least that's the impression I got at times. Perhaps this was done -once again- on purpose, as a way to outline the metaphor that is the title of the film. Or maybe this is just how the universe these characters inhabit really is. I don't know. At any rate, the situation the main character finds himself in during the film could be described as a modern Mid-Western abstract and subjective dichotomy of self.

For the ultra-low budget film that Flyover Country is, it comes across as very well crafted. It could have used some less stage-styled performances from some of the cast members, but overall, it is a pleasant movie to look at. However, as a whole, the story misses more marks than it should, both dramatic and comedic-wise.

Should you watch Flyover Country? Sure thing. The director has an interesting voice that, not unlike the characters in this movie, seems to be finding its way back to his own self.
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