The Taking of Deborah Morgan, as you must have gathered by now, is a faux-documentary that begins as a sort of record of deterioration. I can think of no better word than "deterioration", since Deborah Morgan falls apart both mentally and physically over the course of the film. You'll find yourself unnerved and saddened by Deborah's confused states and struggles as she loses her memories to what appears to be Alzheimer's Disease. Of course, things take a sinister turn as the crew cataloging the disease's progression begin to see and hear unexplainable phenomena.
The first half of the film is genuinely terrifying, and had me in suspense.It is the film's second half, which I will not divulge here, that was a bit of a letdown. I really wanted to give the film a higher score, but I couldn't come up with more than a 6. All I will say is this: A horror film with a unique premise and a lot of promise gradually works its way back into the clichés of jump-scare Hollywood.
However, I would be remiss if I did not commend the film for its portrayal of three major female characters (who really carry the film)--a Ph. D. student, a troubled daughter, and Deborah herself-- each one fairly layered and driven by palpable human motivations. The whole "freaked-out, over-sexed bimbo" schtick gets old.
The first half of the film is genuinely terrifying, and had me in suspense.It is the film's second half, which I will not divulge here, that was a bit of a letdown. I really wanted to give the film a higher score, but I couldn't come up with more than a 6. All I will say is this: A horror film with a unique premise and a lot of promise gradually works its way back into the clichés of jump-scare Hollywood.
However, I would be remiss if I did not commend the film for its portrayal of three major female characters (who really carry the film)--a Ph. D. student, a troubled daughter, and Deborah herself-- each one fairly layered and driven by palpable human motivations. The whole "freaked-out, over-sexed bimbo" schtick gets old.