Note to directors: extending the length does not necessarily expand the message.
20 December 2014
The last days of an era are a common motif in Japanese samurai movies. Apparently there is something regarded as especially tragic in that process, and many movies try to show that. So there is nothing very particular about this movie, in terms of theme. The appeal is mostly in the peculiar main character.

The problem is, the movie tries for too much. In the first 50 minutes we are totally engaged by Yoshimura, by his tensions with the samurai group he has joined, the curiosity about his motives, and the prospect of the civil war engulfing their lives. It is a fine drama, with the required sword-fighting on top. Yoshimura is a great character.

But the last hour is just incredibly overlong and sentimental. The story goes in the right direction, and the fate of the characters seem a natural development of what was set up. So why make it so long and melodramatic?

I think the director thought of this movie as more than another drama/adventure samurai. He wanted an epic. It does not work that way. There are only enough characters and plot for the drama of one man and his friends, not of the entire Japan. Thematically, nothing was added because of the long second half. No great insight about humanity, just a bunch of tears, snow, flowing water, and redundant sad speeches. The very same themes and plot resolution could have been done in 20 minutes instead of 60, and the film could wrap up in a nice 100 minutes, losing nothing. What a shame. In aiming for greatness, what could be a great movie was spoiled. Maybe you could watch it on DVD and play everything after the battle in 2x speed...
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