Not one of Universal's best horror entries (it's not as good as its predecessor The Wolf Man, which is a very good film indeed), but it holds up well as a fun and charming film with a lot of atmosphere. It does end too abruptly for my tastes and Bela Lugosi looks very ill at ease, too sharp-featured and far from imposing as the Frankenstein monster. To be fair though to Lugosi it is not entirely his fault, as the character is poorly developed and written and you can actually tell that his screen time was intended to have been longer, hence why some of the story was in want of more explanation(the blindness was important and that was literally ignored). Frankenstein Meets the Wolf Man is a very good-looking film, it's beautifully shot with eerie lighting and the sets give off a real Gothic horror atmosphere but look sumptuous at the same time. The music fits well, complimenting the thrills without sounding overbearing and stock. The script is very witty and cohesive with only with the monster where it felt incomplete, while the story is always compelling filled with entertainment and the scares positively thrill. Especially good is the opening sequence which is brilliant, so chilling and effectively atmospheric that you are excited to see what follows afterwards, to me it is one of the best openings to a Universal horror during this period and even after. The monster brawl is a lot of fun as well. Frankenstein Meets the Wolf Man is skilfully directed throughout, is briskly paced, the characters are engaging without being fully dimensional and the acting is mostly solid apart from Lugosi. Illona Massey is a smouldering and unusually smart Elsa and Dwight Frye and Lionel Atwill provide entertaining support. Coming off best is Lon Chaney Jnr as Talbot aka The Wolf Man who's superb, goose bump-inducing but movingly sympathetic as well. His makeup is just as good as it was in The Wolf Man. Overall, fun, charming and atmospheric, not perfect by any stretch but well worth the watch and goes very well with The Wolf Man. 7/10 Bethany Cox
