I can't disagree with much of the criticism here. There are too many story arcs and few are given enough screen time (one, about questioning one's sexuality seemed to be over in less than 60 seconds in entirety, and without any resolution that particularly adds anything). I'm just about old enough to remember the summer of 1976 and the film didn't feel historically accurate, either. Rather than reminisce, I had to keep reminding myself it wasn't set in the modern day.
However, there were good things. The acting and singing, both from Minnie Driver and her charges, is good throughout. Aneurin Barnard and Danielle Branch stand out as the erstwhile couple who are acrimoniously failing to maintain a working relationship as leads in school's production of The Tempest. Both have a brooding intensity and use their eyes to great effect. For me, the standout moment was during the final production, singing "Life On Mars?" as a duet; him, looking away, still unable to meet her eyes even once, and her, the polar opposite, never wavering in her direct and angry gaze, spitting the words at him. In the penultimate moments of the song, her expression changes entirely from anger to loss, perhaps finally realising that nothing can be salvaged between them. And then, the final scene, she is still staring intently at him, but she is looking upon him almost as a stranger now, as ex-lovers invariably become. It's very well acted, demonstrating these sudden realisations only with her eyes and having them mirrored with an acceptance or at least acknowledgement of defeat in his eyes too.
I wasn't expecting to like it, but I did. If you follow the advice given to Minnie Driver's character in the film about keeping your expectations low and don't approach this film as high art, you may find yourself enjoying it. If nothing else, the music is really very good indeed.
However, there were good things. The acting and singing, both from Minnie Driver and her charges, is good throughout. Aneurin Barnard and Danielle Branch stand out as the erstwhile couple who are acrimoniously failing to maintain a working relationship as leads in school's production of The Tempest. Both have a brooding intensity and use their eyes to great effect. For me, the standout moment was during the final production, singing "Life On Mars?" as a duet; him, looking away, still unable to meet her eyes even once, and her, the polar opposite, never wavering in her direct and angry gaze, spitting the words at him. In the penultimate moments of the song, her expression changes entirely from anger to loss, perhaps finally realising that nothing can be salvaged between them. And then, the final scene, she is still staring intently at him, but she is looking upon him almost as a stranger now, as ex-lovers invariably become. It's very well acted, demonstrating these sudden realisations only with her eyes and having them mirrored with an acceptance or at least acknowledgement of defeat in his eyes too.
I wasn't expecting to like it, but I did. If you follow the advice given to Minnie Driver's character in the film about keeping your expectations low and don't approach this film as high art, you may find yourself enjoying it. If nothing else, the music is really very good indeed.