Entertaining. Dynamic. Exquisite. Girlish. With disparate but good performances in major roles. With a dash-story somewhat anemic but with two great actresses (Ana Claudia Talancon and Ana De la Reguera) and address (Gabriela Tagliavini) outstanding.
Ladies Night is a film entertainment fun if it comes, reflecting a Artistic creation with Mexican label in their manners in which to talk-talk comes with a story that plays with the universal imaginary and with the direction of Gabriela Tagliavini who jointly Ana Claudia Talancon are the stars of the film.
The argument comes packaged with structural holes. Anyway the plot vertebrate in the script by Issa Lopez gives the diametrical protagonists a condiment that gives depth to the story.
Ana Claudia Talancon has an angel on his face and this is portrayed with sublime delicacy by the "pen" of Gabriela Tagliavini giving the spot, because it manages to portray that childlike universe that the script proposed in recreating and redial. Tagliavini stands with his fits Ana De la Reguera studied in a second place, who gives blood with a convincing performance and a darker and enhanced dimensionality.
Not less detail is the successful achievement of production work was a solid at each of the locations work. They relate to the spatially Mexico where history and seasoned them with an eclectic and rich pop frame is portrayed.
The board gives dynamism to the plot, making fill gaps in a script in his "thoughts" makes slipping further the plot, forcing a trapeze stunt in the direction which wraps this story affair with another child language key and with the "bang" as standard. It is the only moment in which, although unscathed, climbs in his solid work.
As the plot progresses starring Alicia (including several made moment narrative and stories direction-off) and melts it seemed his set destination. In turn, the sub-plot shows how to dissolve the "safe" world of a stripper who is challenged by a reality that hit you in the heart plexus. Here the script gathers strength and next to the address given by the hand making an oiled gear.
Tagliavini's work, which is detailed in the composition of each frame, rhythm and manages to give an American touch to your patina with which builds each frame of film Mexican colloquial language gives membership film, making creative regarding identifiable trigger.
Is observed that the neat and aseptic American language pointed in the direction you remove the film verve and is in conflict with the above noted. Quite the opposite. It is a pop language that achievement with mounting channel to fruition a cinematic creation entertains, amuses and you can enjoy the overwhelming charisma of Ana Claudia Talancon, by the convincing performance of Ana De la Reguera and Gabriela Tagliavini address that I take the juice to each piece of fruit.
By Manu Hugo Correa
Ladies Night is a film entertainment fun if it comes, reflecting a Artistic creation with Mexican label in their manners in which to talk-talk comes with a story that plays with the universal imaginary and with the direction of Gabriela Tagliavini who jointly Ana Claudia Talancon are the stars of the film.
The argument comes packaged with structural holes. Anyway the plot vertebrate in the script by Issa Lopez gives the diametrical protagonists a condiment that gives depth to the story.
Ana Claudia Talancon has an angel on his face and this is portrayed with sublime delicacy by the "pen" of Gabriela Tagliavini giving the spot, because it manages to portray that childlike universe that the script proposed in recreating and redial. Tagliavini stands with his fits Ana De la Reguera studied in a second place, who gives blood with a convincing performance and a darker and enhanced dimensionality.
Not less detail is the successful achievement of production work was a solid at each of the locations work. They relate to the spatially Mexico where history and seasoned them with an eclectic and rich pop frame is portrayed.
The board gives dynamism to the plot, making fill gaps in a script in his "thoughts" makes slipping further the plot, forcing a trapeze stunt in the direction which wraps this story affair with another child language key and with the "bang" as standard. It is the only moment in which, although unscathed, climbs in his solid work.
As the plot progresses starring Alicia (including several made moment narrative and stories direction-off) and melts it seemed his set destination. In turn, the sub-plot shows how to dissolve the "safe" world of a stripper who is challenged by a reality that hit you in the heart plexus. Here the script gathers strength and next to the address given by the hand making an oiled gear.
Tagliavini's work, which is detailed in the composition of each frame, rhythm and manages to give an American touch to your patina with which builds each frame of film Mexican colloquial language gives membership film, making creative regarding identifiable trigger.
Is observed that the neat and aseptic American language pointed in the direction you remove the film verve and is in conflict with the above noted. Quite the opposite. It is a pop language that achievement with mounting channel to fruition a cinematic creation entertains, amuses and you can enjoy the overwhelming charisma of Ana Claudia Talancon, by the convincing performance of Ana De la Reguera and Gabriela Tagliavini address that I take the juice to each piece of fruit.
By Manu Hugo Correa