Released in 2006, Aki Kaurismäki's film LAITAKAUPUNGIN VALOT (released internationally as Lights in the Dusk), completes a loose trilogy of films that deal with underdogs, employ similar colour palettes and are set in a strange fantasy Finland where the social divisions and rock music of the 1950s have persisted into the present day.
The film is concerned with the sufferings of Koistinen (Janne Hyytiäinen), a security guard who is not just neglected by his coworkers and society, but eventually set up by femme fatale Mirja (Maria Järvenhelmi) for a jewelry heist. Prominent supporting roles are Lindholm (Ilkka Koivula), the mastermind of the criminal operation, and Aila (Maria Heiskanen), a hot dog vendor who seems to be Koistinen's only contact with the world, though "friend" would be too strong a word.
The previous two entries in Kaurismäki's "Losers" trilogy -- DRIFTING CLOUDS and THE MAN WITHOUT A PAST, had their characters knocked about, but ultimately they pulled through and found happiness. LAITAKAUPUNGIN VALOT is a much bleaker film. The cruelty directed at Koistinen is more brutal and the ending, while hinting at something positive, is ambiguous and painful to watch.
Kaurismäki has really come to repeat himself, maintaining not just the same atmosphere from film to film, but even reusing stock scenes like a man being beaten and left for dead at the docks, prison labour and awkward dates. Nonetheless, here he offers something new in crossing the line from deadpan humour to outright tragedy. Kaurismäki has always maintained an austere tone, but here he pares things down even further. This is a flawed film, but one with many admirable features and I'd generally recommend that one see it, though perhaps after the earlier two films in this trilogy.
The film is concerned with the sufferings of Koistinen (Janne Hyytiäinen), a security guard who is not just neglected by his coworkers and society, but eventually set up by femme fatale Mirja (Maria Järvenhelmi) for a jewelry heist. Prominent supporting roles are Lindholm (Ilkka Koivula), the mastermind of the criminal operation, and Aila (Maria Heiskanen), a hot dog vendor who seems to be Koistinen's only contact with the world, though "friend" would be too strong a word.
The previous two entries in Kaurismäki's "Losers" trilogy -- DRIFTING CLOUDS and THE MAN WITHOUT A PAST, had their characters knocked about, but ultimately they pulled through and found happiness. LAITAKAUPUNGIN VALOT is a much bleaker film. The cruelty directed at Koistinen is more brutal and the ending, while hinting at something positive, is ambiguous and painful to watch.
Kaurismäki has really come to repeat himself, maintaining not just the same atmosphere from film to film, but even reusing stock scenes like a man being beaten and left for dead at the docks, prison labour and awkward dates. Nonetheless, here he offers something new in crossing the line from deadpan humour to outright tragedy. Kaurismäki has always maintained an austere tone, but here he pares things down even further. This is a flawed film, but one with many admirable features and I'd generally recommend that one see it, though perhaps after the earlier two films in this trilogy.