For a spoof they have gotten Liam Neeson's accent down, pretty good impersonator of Famke Janssen and also a heavily sexualized version of the daughter character. Much of the humors revolve around penis joke while the production has heavy resemblance with sleazy music video. Not all of them are misfire, there's some degree of slight entertainment, mainly because the original material from Taken was already a bit far-fetched, so the movie predictably plays it to their advantage.
Story replicates Taken franchise and recent works of Liam Neeson. It includes a few stereotypical characters, which are awkwardly shoehorned for dirty jokes. The lead does have peculiar accent which forcefully reminds audiences of Liam Neeson. Casting department at least delivers a good Famke Janssen lookalike for good measure. Others are typical extra for bad guys and eye-catching attractive girls.
Practically any girl character is exposed to some type of corny dirty puns or outright crude gag concerning indecent act. However, the massive bulk of the joke is on Neeson's double. There are a few good ones which have just enough self-deprecation to be amusing. Others are expected brash moments of spoof movie which are inelegant, cringe-worthy and a few freakish practical effects. These things have fifty-fifty chance to entertain depend on your expectation and tolerance.
It's all sort of juvenile and gross content one might expect from spoof, but at least it capitalizes on its intended sources for a few chuckles.
Story replicates Taken franchise and recent works of Liam Neeson. It includes a few stereotypical characters, which are awkwardly shoehorned for dirty jokes. The lead does have peculiar accent which forcefully reminds audiences of Liam Neeson. Casting department at least delivers a good Famke Janssen lookalike for good measure. Others are typical extra for bad guys and eye-catching attractive girls.
Practically any girl character is exposed to some type of corny dirty puns or outright crude gag concerning indecent act. However, the massive bulk of the joke is on Neeson's double. There are a few good ones which have just enough self-deprecation to be amusing. Others are expected brash moments of spoof movie which are inelegant, cringe-worthy and a few freakish practical effects. These things have fifty-fifty chance to entertain depend on your expectation and tolerance.
It's all sort of juvenile and gross content one might expect from spoof, but at least it capitalizes on its intended sources for a few chuckles.