The characters aren't interesting, the story isn't interesting (or plausible), and the pacing is excruciatingly slow. I don't mind slow if it's good slow. This is bad slow.
There is nothing original to be seen here. All these characters--even these Asian characters--have been seen before. The dialog is completely flat. If there's an uninteresting way to say something, this writer found it. There were a couple scenes where I could pretty much say the line to come before it was said--it was that predictable and trite.
It was difficult for me to believe the central character was gay. A gay guy who owns a restaurant that's failing because the food is so dull? I don't think so. Not that we know what's wrong with the food exactly. We just know that nobody likes it. The miraculous turn-around ending of the movie was just as inexplicable. Better dumplings? Nice chairs, nice white tablecloths? Wait, what?
Dumb me. I thought I might be in for an Eat Drink Man Woman quality movie, and perhaps that's what it aspired to, but this is the polar opposite of that film.
There is nothing original to be seen here. All these characters--even these Asian characters--have been seen before. The dialog is completely flat. If there's an uninteresting way to say something, this writer found it. There were a couple scenes where I could pretty much say the line to come before it was said--it was that predictable and trite.
It was difficult for me to believe the central character was gay. A gay guy who owns a restaurant that's failing because the food is so dull? I don't think so. Not that we know what's wrong with the food exactly. We just know that nobody likes it. The miraculous turn-around ending of the movie was just as inexplicable. Better dumplings? Nice chairs, nice white tablecloths? Wait, what?
Dumb me. I thought I might be in for an Eat Drink Man Woman quality movie, and perhaps that's what it aspired to, but this is the polar opposite of that film.