Mrs. Oliver, a modern-day lawyer's wife in her late 20s, suffering under the oppressive thumb of her husband--who seems to like her spinsterish, her hair in a tight bun, etc.--is having an identity crisis. She tries on a blonde wig with red lipstick and hoop earrings one afternoon while shopping and feels like a different woman; turns out this alter-ego bears a striking resemblance to a sexy woman named Sandy, who lived at the beach and but disappeared five years prior. Karen Black was on a horror movie roll in 1977, having had great successes with the TV-made "Trilogy of Terror" (written by this film's author, Richard Matheson) and the theatrical screamer, "Burnt Offerings". "Mrs. Oliver", also a TV-movie, has echoes of both, but is nearly weighed down by its red herrings (a curious dream, a flashback to a fire, a painting). Director Gordon Hessler sets a peculiar, almost surreal tone that initially grips the viewer, but Matheson overloads the plot; since Hessler's pacing is so methodical, there's too much going on at too slow a pace. Black is very good (if too old for her role), and George Hamilton does fine as her colorless husband (not the condescending sonuvabitch you may expect, but a workaholic with no interesting qualities). The finale wraps things up sufficiently, so "Mrs. Oliver" isn't a disappointment, exactly. But it's more spooky/romantic than suspenseful and scary, and perhaps that is why it has failed to acquire the type of following Black's other projects have.
The Strange Possession of Mrs. Oliver
(1977 TV Movie)
Strange indeed, and slow moving...but worthwhile if you have the patience
3 October 2015