Watching BAD BLOOD today, one is immediately struck by the similarities between the look, feel, and story of the movie and the contemporary FIRST BLOOD. Both films feature loner heroes who fall foul of polite society and then are forced into becoming fugitives. The difference between them is that FIRST BLOOD is a crowd-pleasing fantasy whereas BAD BLOOD is a brutal true story with all too depressing plot ingredients.
The stunning New Zealand locations are some of the best things about this atmospheric and engaging story. It tells of a rural farmer who snaps when the local authorities show up to confiscate his rifles (they need them for the war effort, the film being set during WW2). Murder and a manhunt ensue, all of it directed well by British director Mike Newell (HARRY POTTER AND THE GOBLET OF FIRE).
The emphasis of the film throughout is on realism and the naturalistic performances of the actors enhance the effect. There are some truly jaw-dropping moments to be found here and it's clear that Newell is doing everything in his power to avoid sentimentalising the story, instead sticking to the cold, hard facts. I found the downbeat nature of the production a little too strong for this to be a film you can really enjoy, but it's nonetheless a strong and vivid slice of film-making, and highly memorable with it.
The stunning New Zealand locations are some of the best things about this atmospheric and engaging story. It tells of a rural farmer who snaps when the local authorities show up to confiscate his rifles (they need them for the war effort, the film being set during WW2). Murder and a manhunt ensue, all of it directed well by British director Mike Newell (HARRY POTTER AND THE GOBLET OF FIRE).
The emphasis of the film throughout is on realism and the naturalistic performances of the actors enhance the effect. There are some truly jaw-dropping moments to be found here and it's clear that Newell is doing everything in his power to avoid sentimentalising the story, instead sticking to the cold, hard facts. I found the downbeat nature of the production a little too strong for this to be a film you can really enjoy, but it's nonetheless a strong and vivid slice of film-making, and highly memorable with it.