WHERE SLEEPING DOGS LIE is one of the least well known of the psycho thrillers that filled cinema screens in the early 1990s. The reasons for this obscurity become obvious when you start watching, because this is poor stuff indeed; it commits the cardinal sin of a thriller in that it's thoroughly boring, with hardly any incident or indeed mystery to keep it going.
The story is about a young writer (AMERICAN HORROR STORY's Dylan McDermott) who moves into a supposedly haunted old mansion and befriends a drifter (Tom Sizemore) who comes to stay. Sizemore can usually be relied upon to deliver interesting performances, and indeed is the most interesting thing about this movie, but sadly the calibre of the writing is so poor that this is near-unwatchable for the most part.
In an attempt to capitalise on current trends and popularity, Sharon Stone (BASIC INSTINCT) appears in the rather extraneous role of the writer's literary agent, although her appearance only serves to add some minor titillation and lots of dull, talky scenes which pad out this never-ending thriller that lacks both thrills and suspense.
The story is about a young writer (AMERICAN HORROR STORY's Dylan McDermott) who moves into a supposedly haunted old mansion and befriends a drifter (Tom Sizemore) who comes to stay. Sizemore can usually be relied upon to deliver interesting performances, and indeed is the most interesting thing about this movie, but sadly the calibre of the writing is so poor that this is near-unwatchable for the most part.
In an attempt to capitalise on current trends and popularity, Sharon Stone (BASIC INSTINCT) appears in the rather extraneous role of the writer's literary agent, although her appearance only serves to add some minor titillation and lots of dull, talky scenes which pad out this never-ending thriller that lacks both thrills and suspense.