Released in 1943/1944, "Tender Comrade" gets its title from a poem called "My Wife", by Robert Louis Stevenson, which glowingly lists the wonderful traits of his wife. The first line of the third stanza reads: "Teacher, tender, comrade, wife". Note the comma that separates the words "tender" and "comrade". He was not describing a comrade who is tender, but a comrade who also tends.
The film starts with written lines from the poem, then graphically extracts the two words of the title. Were they trying to honor Stevenson with their attribution? Or were they trying to make it clear that the word "comrade" was not an overt effort to allude to the common communistic sobriquet? Regardless, given the overreaching sophistry of those who found communist tendencies everywhere, it is a wonder someone didn't find guilt by association, given Stevenson's atheism and his socialist leanings.
The film is written by Dalton Trumbo--one of the best screenwriters of all time. Author of the great anti-war novel, "Johnny Got His Gun", Trumbo also authored the screenplays for "Exodus", "Spartacus", and "Roman Holiday". He was awarded two Oscars.
Trumbo joined the Communist Party in 1943. It was not illegal to do so and at the time, Russia was an ally of the U.S. in WWII. Clearly, Trumbo was anti-fascist. Was he anti-American in any way? An examination of the film may clarify his views.
The story of the film, like most of its time, is clearly aligned with war efforts on the homefront and includes much of the patriotic propaganda that was prevalent. As you might guess, with a title that refers to wives, "Tender Comrade" focuses on the wartime lives of wives whose husbands are serving in the military.
Four women who work in the Douglas aircraft plant a la Rosie the Riveter, decide to combine their meager paychecks so that they can afford a larger home and achieve greater purchasing power. They hire a German housekeeper, whose husband is also serving in the U.S. armed forces. The entire film is written from their perspectives, but especially from the perspective of the main character, Jo Jones (Ginger Rogers). Throughout the film, via Jo's flashbacks, we are taken back to moments in her life with her husband, Chris (Robert Ryan).
Interestingly, the moments Jo reflects on are not all moments of great joy. In fact, they show that the relationship of the young couple, though loving, was full of disharmony and arguments, even when he proposed to her. Nevertheless, Jo is dedicated to the homefront support of her husband and all the troops. She, more than any of the other wives, mouths the patriotic slogans that were so common at the time, supporting rationing, conservation, and every manner of emotional and active support. The men were making their sacrifices for democracy, so those back home needed to do their part.
The term "democracy" is loosely thrown around during the film, which is not unusual, since it had become nearly synonymous with the American way of life since WWI. Early on, the women say they will run their joint household like a democracy, voting to make decisions. They decide to use only one car and "share and share alike". Later, when one woman receives a medal in the mail from her husband, they say it is a medal for all of them to "share and share alike". For them it is a symbol of their joint efforts and sharing is a part of their fight for democracy.
A few years after the film, Dalton Trumbo would be called before the House Committee on Un-American Activities. He would be part of the Hollywood Ten, who refused to give the names of Communists in the film industry. He would be blacklisted and have to work in secrecy, unable to claim his Oscars until many years later. Among the flimsy evidence used against him was the word "Comrade" in the title of this film and the communal living style of the five women. But anyone who watches the film can see that Trumbo's screenplay "does its part" for America, pushing every emotional button in service to the nation's massive and comprehensive effort to win the war.
The truth is that wartime America is not the freewheeling, freedom-loving America of peacetime. The choices made by the five women reflect the extreme efforts made by American society in general. Many freedoms were (temporarily) sacrificed by all. Basically, martial law prevailed over the nation, demanding that all citizens live for a greater good--an effort that might be described as communal.
While filming "Tender Comrade", Ginger Rogers realized that some aspects of the film, in her opinion, had a "Communistic turn", including some of her lines. In particular, the line she objected to was "share and share alike" and she had the producer give that line to other actors, she said. However, if you pay attention, you will hear her say that line when discussing the car, so her memory is somewhat suspect.
During the making of this film, Ginger's husband, Jack Briggs, was serving in the military and awaiting orders, so she was very in-tune with the feelings of concern and self-sacrifice experienced by Jo and the other character wives.
But this film is not one of Trumbo's best. It suffers from slow moments and a disjointed storyline. The acting in the film is uneven. Ms. Rogers' performance alternates between very solid and noticeably weak. In all, this is a vey interesting film, but not exceptional in any way.
The film starts with written lines from the poem, then graphically extracts the two words of the title. Were they trying to honor Stevenson with their attribution? Or were they trying to make it clear that the word "comrade" was not an overt effort to allude to the common communistic sobriquet? Regardless, given the overreaching sophistry of those who found communist tendencies everywhere, it is a wonder someone didn't find guilt by association, given Stevenson's atheism and his socialist leanings.
The film is written by Dalton Trumbo--one of the best screenwriters of all time. Author of the great anti-war novel, "Johnny Got His Gun", Trumbo also authored the screenplays for "Exodus", "Spartacus", and "Roman Holiday". He was awarded two Oscars.
Trumbo joined the Communist Party in 1943. It was not illegal to do so and at the time, Russia was an ally of the U.S. in WWII. Clearly, Trumbo was anti-fascist. Was he anti-American in any way? An examination of the film may clarify his views.
The story of the film, like most of its time, is clearly aligned with war efforts on the homefront and includes much of the patriotic propaganda that was prevalent. As you might guess, with a title that refers to wives, "Tender Comrade" focuses on the wartime lives of wives whose husbands are serving in the military.
Four women who work in the Douglas aircraft plant a la Rosie the Riveter, decide to combine their meager paychecks so that they can afford a larger home and achieve greater purchasing power. They hire a German housekeeper, whose husband is also serving in the U.S. armed forces. The entire film is written from their perspectives, but especially from the perspective of the main character, Jo Jones (Ginger Rogers). Throughout the film, via Jo's flashbacks, we are taken back to moments in her life with her husband, Chris (Robert Ryan).
Interestingly, the moments Jo reflects on are not all moments of great joy. In fact, they show that the relationship of the young couple, though loving, was full of disharmony and arguments, even when he proposed to her. Nevertheless, Jo is dedicated to the homefront support of her husband and all the troops. She, more than any of the other wives, mouths the patriotic slogans that were so common at the time, supporting rationing, conservation, and every manner of emotional and active support. The men were making their sacrifices for democracy, so those back home needed to do their part.
The term "democracy" is loosely thrown around during the film, which is not unusual, since it had become nearly synonymous with the American way of life since WWI. Early on, the women say they will run their joint household like a democracy, voting to make decisions. They decide to use only one car and "share and share alike". Later, when one woman receives a medal in the mail from her husband, they say it is a medal for all of them to "share and share alike". For them it is a symbol of their joint efforts and sharing is a part of their fight for democracy.
A few years after the film, Dalton Trumbo would be called before the House Committee on Un-American Activities. He would be part of the Hollywood Ten, who refused to give the names of Communists in the film industry. He would be blacklisted and have to work in secrecy, unable to claim his Oscars until many years later. Among the flimsy evidence used against him was the word "Comrade" in the title of this film and the communal living style of the five women. But anyone who watches the film can see that Trumbo's screenplay "does its part" for America, pushing every emotional button in service to the nation's massive and comprehensive effort to win the war.
The truth is that wartime America is not the freewheeling, freedom-loving America of peacetime. The choices made by the five women reflect the extreme efforts made by American society in general. Many freedoms were (temporarily) sacrificed by all. Basically, martial law prevailed over the nation, demanding that all citizens live for a greater good--an effort that might be described as communal.
While filming "Tender Comrade", Ginger Rogers realized that some aspects of the film, in her opinion, had a "Communistic turn", including some of her lines. In particular, the line she objected to was "share and share alike" and she had the producer give that line to other actors, she said. However, if you pay attention, you will hear her say that line when discussing the car, so her memory is somewhat suspect.
During the making of this film, Ginger's husband, Jack Briggs, was serving in the military and awaiting orders, so she was very in-tune with the feelings of concern and self-sacrifice experienced by Jo and the other character wives.
But this film is not one of Trumbo's best. It suffers from slow moments and a disjointed storyline. The acting in the film is uneven. Ms. Rogers' performance alternates between very solid and noticeably weak. In all, this is a vey interesting film, but not exceptional in any way.