A darker, more dramatic ending would have made it a classic 'B' picture - but still better than one would have expected.
7 January 2016
Warning: Spoilers
An airport security officer, Tim Matthews (Jack Watling), meets a former army mate, Harry Preston (Terence Alexander), who is employed by a master criminal called Pliny (Karel Stepanek). Under his orders, Harry gets Tim into debt through gambling and then takes him to see Luigi (John Le Mesurier), Pliny's second in command, who, of course, has the ideal solution to his problems. For £500.00, Tim will have more than enough to clear his debts but, naturally, there is a catch - Luigi demands that Tim hands over the schedule for a bullion plane's arrival into Heathrow Airport. When Tim refuses, the gang abduct him and threaten him with his wife Jane (Susan Stephen). He then agrees to co-operate and the gang force him to act as an inside man by getting him to drug his colleagues' tea and to gain them access to the vault where £250,000 worth of gold bullion is being stored. But things turn out not to be as plain sailing as Pliny's thugs would have hoped.

A British b-pic heist thriller from ACT Productions, a company founded by the film technicians union with the aim of countering unemployment in the industry and it specialised in low budget programmers such as this. It went out on the Gaumont-British circuit supporting the Rita Hayworth picture, Miss Sadie Thompson in 1954. Trivia buffs will like to know that the storyline was provided by none other than Percy Hoskins who was chief crime reporter for the Daily Express newspaper.

Dangerous Cargo is better than one would have expected for a second feature with director John Harlow generating some tension and suspense but, alas, he is defeated by the obligatory happy ending that was always the way for these productions and one can see it coming from some distance off. A darker, more dramatic ending would have lifted this well above the average. Nevertheless, there are good performances from a cast that includes many familiar faces including John Le Mesurier (Dad's Army) and Terence Alexander (Bergerac) and the film has a good sense of place thanks to its authentic locations that are put to good use and good black and white lensing.
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