Review of Tristana

Tristana (1970)
6/10
Triumphant?
29 January 2016
When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable nature, despite his socialistic views about business and religion. But Don Lope's one weakness is women, and he falls for the innocent girl in his charge, seduces her, makes her his lover, though all the while explaining to her that she is as free as he.

Buñuel's French investors insisted that Catherine Deneuve be cast as Tristana and his Italian investors wanted young heartthrob Franco Nero to play Horacio. Filming began in September 1969. Actress Vanessa Redgrave was often on the film's set after recently divorcing Tony Richardson for Nero, which caused Nero to often be late or distracted during filming.

Although I applaud the casting, I am still not convinced that I like Bunuel's later films. He stopped being outright surreal and got more subtle, which I do not care for. He also became far more political, which I am not necessarily oppose to, but I think takes away from the art. I will definitely have to revisit him again at some point, but I feel like he may be given too much credit.
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