8/10
Impossible not to like this movie
5 February 2016
Warning: Spoilers
By now, if you're getting to my review, you already know the plot. Most of the interaction between excruciatingly handsome Milland (coming off his Oscar-winning triumph in "The Lost Weekend") and sexed-up, earthy Marlene is pretty darn funny. (Especially the scene when Marlene is scaling a fish where Ray has to sleep.) Then there's Murvyn Vye singing in his baritone voice the haunting title song is a show-stopper. There are two shocking scenes that remain in my memory: 1.) Milland pretending to tell someone's future by reading their palm, and suddenly realizing he actually can, for just an instant, foresee the person's upcoming death; 2.) Nazis torturing Milland's dying British colleague by holding a flame on the man's bare stomach. All-in-all a very watchable movie. However, ***SPOILER ALERT*** at the end, when Milland rejoins Marlene in Germany, there is an enormous suspension of disbelief, as the Nazis incarcerated and murdered all Gypsies (including children) they encountered in occupied Europe.
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