Disclaimer: I caught this just after seeing Batman Vs. Superman, which depressed me. Not merely because it was a depressing film -- hey, it is not everyday you get to see Superman die -- but also because Hollywood had chosen to spend so much time and money on a such a dreary and chaotic work. So, you see, JANE WANTS A BOYFRIEND was an unexpected joy. Not merely a great little indie, but the perfect antidote to my superhero-induced trauma. Once more I began to think there was hope for mankind, and possibly even Hollywood as well.
The movie -- that rare combination of good things that come together in the right time and the right place and entertain the daylights out of you. Tight script. Great casting. Krause is a jewel. She does things with her face that makes it seem as though it was made of rubber. And her timing is impeccable. One moment we are caught up in her subjective, confined, autistic world. And the next moment we see her objectively as the world sees her -- a bright spark of a woman, quirky and sweet, with a lot to offer and a sense of self-worth. Great performance! Dushku also surprised. She seems to have left behind her "edge" from her Buffy days and her BRING IT days, and instead has a "Natalie Portman vibe" which works perfectly in this film. She is empathetic, grounding, and engaging. The "sister" scenes work seamlessly. Director William Sullivan is worth keeping an eye on.
PS - Love the "soup" monologue!
The movie -- that rare combination of good things that come together in the right time and the right place and entertain the daylights out of you. Tight script. Great casting. Krause is a jewel. She does things with her face that makes it seem as though it was made of rubber. And her timing is impeccable. One moment we are caught up in her subjective, confined, autistic world. And the next moment we see her objectively as the world sees her -- a bright spark of a woman, quirky and sweet, with a lot to offer and a sense of self-worth. Great performance! Dushku also surprised. She seems to have left behind her "edge" from her Buffy days and her BRING IT days, and instead has a "Natalie Portman vibe" which works perfectly in this film. She is empathetic, grounding, and engaging. The "sister" scenes work seamlessly. Director William Sullivan is worth keeping an eye on.
PS - Love the "soup" monologue!