STARRED UP is another modern-day prison flick, this time a British one. Before everybody starts groaning and thinking "what, again?!", let me reassure you that this one's not sugar-coated at all. There's no sentiment here, just brutality throughout, and yet it becomes an immersive and thought-provoking experience. Even with all the violence and bad language and animalistic behaviour, there is still light at the end of the tunnel.
The film features Jack O'Connell ('71) in a star-making performance as a disturbed young man who has just been transferred (aka starred up) to men's prison from juvenile. To complicate things further, his own father is an inmate, and the two have a volatile relationship. I've seen the Australian actor Ben Mendelsohn before in a few Hollywood flicks and didn't think much of him, but he's a perfect fit for the part here.
A lot of the usual prison clichés are played out here, but they happen in a matter-of-fact and dare I say it grimly realistic way. The violence is brutal but not overdone, and it does serve a purpose rather than being gratuitous. And the realism is top-notch, reminding me of the BRONSON film at times. Despite all this writer Jonathan Asser manages to tell a believable storyline with an identifiable beginning, middle, and end. It's a good little film, although not for all tastes given the subject matter.
The film features Jack O'Connell ('71) in a star-making performance as a disturbed young man who has just been transferred (aka starred up) to men's prison from juvenile. To complicate things further, his own father is an inmate, and the two have a volatile relationship. I've seen the Australian actor Ben Mendelsohn before in a few Hollywood flicks and didn't think much of him, but he's a perfect fit for the part here.
A lot of the usual prison clichés are played out here, but they happen in a matter-of-fact and dare I say it grimly realistic way. The violence is brutal but not overdone, and it does serve a purpose rather than being gratuitous. And the realism is top-notch, reminding me of the BRONSON film at times. Despite all this writer Jonathan Asser manages to tell a believable storyline with an identifiable beginning, middle, and end. It's a good little film, although not for all tastes given the subject matter.