I often wonder why a film that could have been very good turned out to be b-a-a-a-d. Is it the acting, directing or script? With this film, my premise is the direction....and, that holds for many films. The actors in 'Sin Ship' were adequate, especially Astor. When the captain lays a 'weak' punch on his first mate and later, a crew member, it is not poor special effects....it lies with the direction. The script is fine for an early 'talkie.' Could it be that directors had difficulty transitioning from silents to talkies? I don't see why. They were professionals, weren't they?
The TCM film was interesting for a dull, dreary early May day. It was not all that long a film so I had the opportunity to wash my Cadillac and garage it before the rains came and then prepare dinner while watching bits of other Astor films. Was Mary really that sensual, or is it sexual?
The TCM film was interesting for a dull, dreary early May day. It was not all that long a film so I had the opportunity to wash my Cadillac and garage it before the rains came and then prepare dinner while watching bits of other Astor films. Was Mary really that sensual, or is it sexual?