A good 16 years after "Saving Private Ryan" set quite a milestone in production design of war epics, came this Croatian war flick and jumped at the chance to copy-paste some notable aspects of it, based on the fact that nobody here had done it beforehand. As is usual with Croatian film-making, the copy is rather pale, misguided and inappropriate, and, as usual, tries to hide the lack of depth in the story. The end result is laughable and cringe-worthy.
What was the director thinking? First he has the camera dollying through the walls of the house the main characters use as a stronghold. All the authenticity is immediately lost because it looks like theatre and a satire. Then some shooting starts and it turns all shaky-camy. Then an explosion in slow-motion. Then a character gets killed, again in slow-motion. Then more shaking of camera. Then another character dies slow-motion. Then another character runs and screams into a wide-lens close-up of his face (think GoPro)... Kristijan Milic is clearly a victim of shallow trickery and quite oblivious to a bigger picture. The pace and the tension in his films give way to pure cheese.
Bleach-bypass picture is a bad choice for presenting the early 1990s war action. It tries, rather amateurishly and bluntly, to emulate "Saving Private Ryan", forgetting that the purpose of bleach-bypass in "Saving Private Ryan" was to emulate 1940s war journals. They should've copied "Black Hawk Down" instead.
The screenplay lacks clarity and logic in describing action. The eye is unaware what's actually happening and where. We see mostly "good guys", very seldom do we get a chance to see what they see. From military point-of-view, what characters do from time to time is just ridiculous, such as whispering while there is already shooting going on and the enemy is 200 yards away. The opponents often don't even try to hide and charge like idiots. The dialog is full of corny one liners and truisms lifted from better films. Bad language is thrown in so frivolously and forcibly one thinks it's been spoken by robots, not people suffering in bad circumstances. Bad acting doesn't help bring it to life, either.
Ironically, for all the time the camera sticks with the Croatian platoon, we still don't get to quite know them or care about them. All there is to see is a bunch of dirty and desperate people, getting picked off one by one in gruesome manner. One has to belong to domestic (Croatian) audience to be able to appreciate what's on screen, because only domestic audience has had the "privilege" of being heavily indoctrinated about piety, poignancy and suffering of Croatian soldiers during the War of Independence. The viewers that are not "in the know" will get bored very soon because the film crew cared more about cramming all the clichés they possibly could than telling the actual story.
The film caps everything off with a series of photographs suggesting it was a depiction of a real-life event. The dead people in those photos were members of the actual platoon that got ambushed and killed off in one of numerous small-time battles during the war. This cheese-fest does them no justice whatsoever. And to hijack their names like that to add some undeserved credibility to another lousy cinematic effort is not only cheesy in itself, but is also to bury those people for the second time.
What was the director thinking? First he has the camera dollying through the walls of the house the main characters use as a stronghold. All the authenticity is immediately lost because it looks like theatre and a satire. Then some shooting starts and it turns all shaky-camy. Then an explosion in slow-motion. Then a character gets killed, again in slow-motion. Then more shaking of camera. Then another character dies slow-motion. Then another character runs and screams into a wide-lens close-up of his face (think GoPro)... Kristijan Milic is clearly a victim of shallow trickery and quite oblivious to a bigger picture. The pace and the tension in his films give way to pure cheese.
Bleach-bypass picture is a bad choice for presenting the early 1990s war action. It tries, rather amateurishly and bluntly, to emulate "Saving Private Ryan", forgetting that the purpose of bleach-bypass in "Saving Private Ryan" was to emulate 1940s war journals. They should've copied "Black Hawk Down" instead.
The screenplay lacks clarity and logic in describing action. The eye is unaware what's actually happening and where. We see mostly "good guys", very seldom do we get a chance to see what they see. From military point-of-view, what characters do from time to time is just ridiculous, such as whispering while there is already shooting going on and the enemy is 200 yards away. The opponents often don't even try to hide and charge like idiots. The dialog is full of corny one liners and truisms lifted from better films. Bad language is thrown in so frivolously and forcibly one thinks it's been spoken by robots, not people suffering in bad circumstances. Bad acting doesn't help bring it to life, either.
Ironically, for all the time the camera sticks with the Croatian platoon, we still don't get to quite know them or care about them. All there is to see is a bunch of dirty and desperate people, getting picked off one by one in gruesome manner. One has to belong to domestic (Croatian) audience to be able to appreciate what's on screen, because only domestic audience has had the "privilege" of being heavily indoctrinated about piety, poignancy and suffering of Croatian soldiers during the War of Independence. The viewers that are not "in the know" will get bored very soon because the film crew cared more about cramming all the clichés they possibly could than telling the actual story.
The film caps everything off with a series of photographs suggesting it was a depiction of a real-life event. The dead people in those photos were members of the actual platoon that got ambushed and killed off in one of numerous small-time battles during the war. This cheese-fest does them no justice whatsoever. And to hijack their names like that to add some undeserved credibility to another lousy cinematic effort is not only cheesy in itself, but is also to bury those people for the second time.