For some reason, the name Ann Harding today doesn't have the cache of some of her "strong woman" type contemporaries, such as Kay Francis, Barbara Stanwyck, and their ilk. It's unclear why. She was a very good actress, but I think in the end she didn't have the studio attention that some other actresses did.
Thanks to TCM, film buffs have a chance to see her. Here she is in "The Right to Romance" from 1933, also starring Robert Young and Nils Asther. Harding plays Peggy Simmons, a dedicated plastic surgeon (though I swear it said Peggy Simmons, D.D.S. - isn't that some sort of dentist?) who is also generous and good-hearted. But she doesn't feel much like a woman, working all of the time and seeing the years fly by.
She decides to go on a break, where she dresses beautifully, does her hair, and heads for a resort area. There, she meets one of her patient's sons, whom she has met before, Bobby (Robert Young). He is suddenly very flirtatious and wanting to spend time with her.
Peggy returns to her old life and patients, but Bobby shows up and proposes. She accepts, seemingly unaware that her colleague (Nils Asther) is in love with her.
The marriage isn't happy - Bobby isn't ready to settle down, and Peggy finds that she is miserable.
Short, very absorbing film thanks to the actors. It's interesting - in '40s films, a woman had a career or a marriage, not both, and if she had a career, she was WITHOUT A MAN TO CALL HER OWN and therefore miserable.
The '30s films were different - go figure. Peggy is burned out initially but, without giving the ending away, we're not given the impression that she's chucking her career entirely.
Harding was theater-trained, so she had the mid-American (i.e. fake British) speech spoken by Bette Davis, Katherine Hepburn, and others. She was a strong actress, and her striking looks matched.
Entertaining.
Thanks to TCM, film buffs have a chance to see her. Here she is in "The Right to Romance" from 1933, also starring Robert Young and Nils Asther. Harding plays Peggy Simmons, a dedicated plastic surgeon (though I swear it said Peggy Simmons, D.D.S. - isn't that some sort of dentist?) who is also generous and good-hearted. But she doesn't feel much like a woman, working all of the time and seeing the years fly by.
She decides to go on a break, where she dresses beautifully, does her hair, and heads for a resort area. There, she meets one of her patient's sons, whom she has met before, Bobby (Robert Young). He is suddenly very flirtatious and wanting to spend time with her.
Peggy returns to her old life and patients, but Bobby shows up and proposes. She accepts, seemingly unaware that her colleague (Nils Asther) is in love with her.
The marriage isn't happy - Bobby isn't ready to settle down, and Peggy finds that she is miserable.
Short, very absorbing film thanks to the actors. It's interesting - in '40s films, a woman had a career or a marriage, not both, and if she had a career, she was WITHOUT A MAN TO CALL HER OWN and therefore miserable.
The '30s films were different - go figure. Peggy is burned out initially but, without giving the ending away, we're not given the impression that she's chucking her career entirely.
Harding was theater-trained, so she had the mid-American (i.e. fake British) speech spoken by Bette Davis, Katherine Hepburn, and others. She was a strong actress, and her striking looks matched.
Entertaining.