Despite being a great fan of detective/mystery shows, from Agatha Christie, 'Inspector Morse', 'Midsommer Murders', 'A Touch of Frost', 'Taggart' and 'Foyle's War' to 'New Tricks', 'Monk', 'Columbo' and 'Murder She Wrote' and others {also found myself really liking 'Messiah', apart from the mess that was the fifth and last series), it took a while for me to get round to seeing 'Cracker'.
When being introduced to 'Cracker' quite late- in the past six years to be exact- this reviewer found the show every bit as great as the best of the above shows, in fact on par and perhaps even better, coming from someone who has loved Miss Marple, Poirot and 'Inspector Morse' since eleven years old this is incredibly high praise.
'Cracker' is made and photographed with supreme atmosphere and classy style. It is also scored understatedly but never in a way that takes away from the full impact of the drama, the main theme is memorable, while the direction is controlled and creates tension, horror and suspense wonderfully.
It is a brilliantly written show too, one of the best written of the detective/mystery genre and an example for any good TV show regardless of whether it's comedy, animated, mystery, drama etc. It's violent, and unflinchingly but always effectively and never gratuitously so (not for those easily disturbed), but also with its fair share of poignant emotion and grimly dark and deliciously acerbic humour. It's not just the quality of these individual elements though that bowls one over, but also how they are all balanced, never too much of one or too little of another.
Also present in 'Cracker' is an absolute mastery of storytelling. Story lines that could easily have been clichéd, too safe or not covered new ground are intricate, layered, complex, harrowing ("To Be Somebody" really wrenches the gut in a way that few individual episodes of any TV show in existence have managed), touching (the end of "To Say I Love You") and weren't afraid to take balls that many shows before and during wouldn't have had the balls to attempt, like the psychological effects of a key female character's rape, killing off key characters and giving the good characters strengths and flaws and not making the villains irredeemably bad. Instead of being so much a whodunit like 'Morse', 'Lewis' or 'Poirot' for examples or a howdunit like 'Monk', 'Columbo' and some episodes of 'Diagnosis Murder', 'Cracker' is sort of a whydunit and a psychology of the villains' minds, which it deals with so intelligently and often powerfully.
The characters are also incredibly well written, Fitz being one of the best-written and most fascinating characters ever to grace television in my opinion. 'Cracker' is superbly acted too. Robbie Coltrane is just extraordinary and to me, despite being a departure for him at the time, Fitz is his best role (no offence Hagrid fans, love that character too but Fitz is a much more interesting character). Barbara Flynn, Christopher Eccleston, Geraldine Somerville, Ricky Tomlinson and Lorcan Crannitch support him impeccably, while out of the villains Robert Carlyle's spine-chilling Albie Kinsella (some of his best ever acting) stands out by a landslide.
Overall, incredible in every way. 10/10 Bethany Cox
When being introduced to 'Cracker' quite late- in the past six years to be exact- this reviewer found the show every bit as great as the best of the above shows, in fact on par and perhaps even better, coming from someone who has loved Miss Marple, Poirot and 'Inspector Morse' since eleven years old this is incredibly high praise.
'Cracker' is made and photographed with supreme atmosphere and classy style. It is also scored understatedly but never in a way that takes away from the full impact of the drama, the main theme is memorable, while the direction is controlled and creates tension, horror and suspense wonderfully.
It is a brilliantly written show too, one of the best written of the detective/mystery genre and an example for any good TV show regardless of whether it's comedy, animated, mystery, drama etc. It's violent, and unflinchingly but always effectively and never gratuitously so (not for those easily disturbed), but also with its fair share of poignant emotion and grimly dark and deliciously acerbic humour. It's not just the quality of these individual elements though that bowls one over, but also how they are all balanced, never too much of one or too little of another.
Also present in 'Cracker' is an absolute mastery of storytelling. Story lines that could easily have been clichéd, too safe or not covered new ground are intricate, layered, complex, harrowing ("To Be Somebody" really wrenches the gut in a way that few individual episodes of any TV show in existence have managed), touching (the end of "To Say I Love You") and weren't afraid to take balls that many shows before and during wouldn't have had the balls to attempt, like the psychological effects of a key female character's rape, killing off key characters and giving the good characters strengths and flaws and not making the villains irredeemably bad. Instead of being so much a whodunit like 'Morse', 'Lewis' or 'Poirot' for examples or a howdunit like 'Monk', 'Columbo' and some episodes of 'Diagnosis Murder', 'Cracker' is sort of a whydunit and a psychology of the villains' minds, which it deals with so intelligently and often powerfully.
The characters are also incredibly well written, Fitz being one of the best-written and most fascinating characters ever to grace television in my opinion. 'Cracker' is superbly acted too. Robbie Coltrane is just extraordinary and to me, despite being a departure for him at the time, Fitz is his best role (no offence Hagrid fans, love that character too but Fitz is a much more interesting character). Barbara Flynn, Christopher Eccleston, Geraldine Somerville, Ricky Tomlinson and Lorcan Crannitch support him impeccably, while out of the villains Robert Carlyle's spine-chilling Albie Kinsella (some of his best ever acting) stands out by a landslide.
Overall, incredible in every way. 10/10 Bethany Cox