Josh (Ben Stiller) is a documentary filmmaker at a crossroads in his career after having made a good debut feature. His wife Cornelia (Naomi Watts) is a producer with a famous father as a documentary filmmaker (Charles Grodin). Now crawling towards middle age, the couple seem unfulfilled somewhat, as they are unable to have a child, unlike most of their close friends.
Enter tyro filmmaker Jamie Fletcher (Adam Driver) and his girlfriend Darby (Amanda Seyfried), two twentysomethings who not only appear full of life, but seem willing to look up to Josh as an example of a competent filmmaker. Jamie embarks on his career, and never looks back.
Noah Baumbach's film has strong echoes of ALL ABOUT EVE, with the scheming Jamie trying every trick in the book to advance himself at Josh's expense, while pretending to be friendly. Yet WHILE WE'RE YOUNG manages to make some important points about the angst associated with middle age: Josh wants to be young once more, and is prepared to ape Jamie's mode of dress, as well as trying to enjoy the youngsters' leisure pursuits. Neither prove very satisfying for the older filmmaker, and in the end he comes to acknowledge the fact of growing old.
Yet Baumbach also has some trenchant points to make about the documentary filmmaker's art. Do they exist to record life around them - as Leslie (Grodin) claims in a climactic speech, or do they cut corners and fabricate life in search of a good story? What is a "good" story anyway? The film has great fun skewering some of Josh's more pretentious flights of fancy as he struggles to finish a six and a half hour documentary that has already taken him ten years. He has written something far too long and boring (it's clear that Baumbach would never be a fan of the work of Claude Lanzmann, whose SHOAH lasts almost the same length of time).
Yet Baumbach never lets the action get too serious. The script is full of witty lines, and the performances are cleverly drawn. The New York locations also provide an effective backdrop to the action, with the seedy filmmakers' studios contrasting with the opulence of Lincoln Center.
Enter tyro filmmaker Jamie Fletcher (Adam Driver) and his girlfriend Darby (Amanda Seyfried), two twentysomethings who not only appear full of life, but seem willing to look up to Josh as an example of a competent filmmaker. Jamie embarks on his career, and never looks back.
Noah Baumbach's film has strong echoes of ALL ABOUT EVE, with the scheming Jamie trying every trick in the book to advance himself at Josh's expense, while pretending to be friendly. Yet WHILE WE'RE YOUNG manages to make some important points about the angst associated with middle age: Josh wants to be young once more, and is prepared to ape Jamie's mode of dress, as well as trying to enjoy the youngsters' leisure pursuits. Neither prove very satisfying for the older filmmaker, and in the end he comes to acknowledge the fact of growing old.
Yet Baumbach also has some trenchant points to make about the documentary filmmaker's art. Do they exist to record life around them - as Leslie (Grodin) claims in a climactic speech, or do they cut corners and fabricate life in search of a good story? What is a "good" story anyway? The film has great fun skewering some of Josh's more pretentious flights of fancy as he struggles to finish a six and a half hour documentary that has already taken him ten years. He has written something far too long and boring (it's clear that Baumbach would never be a fan of the work of Claude Lanzmann, whose SHOAH lasts almost the same length of time).
Yet Baumbach never lets the action get too serious. The script is full of witty lines, and the performances are cleverly drawn. The New York locations also provide an effective backdrop to the action, with the seedy filmmakers' studios contrasting with the opulence of Lincoln Center.