A NIGHTINGALE SANG IN BERKELEY SQUARE is one of those little-seen films that everybody seems to have forgotten about these days, which is a pity because it turns out to be a decent, semi-serious comic crime film. It was a late feather in the cap for director Ralph Thomas, who directed those early CARRY ONs all those years before, and it stands head and shoulders above similar fare as one of the most unique films of the era.
Semi-comic films are notoriously difficult to pull off but this one gets the balance just right, I think. The movie is set in and around a bank where a gang of robbers are desperate to get inside the vault and plunder the priceless contents wherein. An on-form David Niven plays the leader of the gang and plays it just like he's in a comedy, whereas American lead Richard Jordan (LOGAN'S RUN) is the straight man believably driven to the edge by the turn of events.
Despite a quite lengthy running time, A NIGHTINGALE SANG IN BERKELEY SQUARE never runs out of steam and keeps you guessing right until the end. For a comedy there's a surprising amount of suspense involved in the narrative and the robbery scene itself is exemplary. The subsequent fall-out is also very well staged and the film finishes on a real high. A supporting cast of familiar faces and former greats (hello, Gloria Grahame!) add to what is a very pleasurable viewing experience.
Semi-comic films are notoriously difficult to pull off but this one gets the balance just right, I think. The movie is set in and around a bank where a gang of robbers are desperate to get inside the vault and plunder the priceless contents wherein. An on-form David Niven plays the leader of the gang and plays it just like he's in a comedy, whereas American lead Richard Jordan (LOGAN'S RUN) is the straight man believably driven to the edge by the turn of events.
Despite a quite lengthy running time, A NIGHTINGALE SANG IN BERKELEY SQUARE never runs out of steam and keeps you guessing right until the end. For a comedy there's a surprising amount of suspense involved in the narrative and the robbery scene itself is exemplary. The subsequent fall-out is also very well staged and the film finishes on a real high. A supporting cast of familiar faces and former greats (hello, Gloria Grahame!) add to what is a very pleasurable viewing experience.