Be True to Your School: In Milano, a teacher is raped and killed by a class of booze-fueled students, but when the Commissario gives the teener pack the bad cop routine, he hits a wall of silence. Fernando di Leo's fifth film comes along as a predominantly lukewarm, actionless talkie and tries to surf the social commentary wave, a ludicrous endeavour that completely falls to pieces after the first half. Though Pier Paolo Capponi as the tough investigator gives a superb performance – erm, what for? –, soon-to-be Miss Ravishing Italia Nieves Navarro ("The Forbidden Photos of a Lady Beyond Suspicion") is wholly wasted as a mousy social worker, Silvano Spaddacino's soundtrack a jittery alarm-clock pain in the ass, and after 80 minutes of pointless drivel, brace yourself for the cross-dresser jack-in-the-box all of a sudden jumping out of Giorgio Scerbanenco's stenchy script: The conclusion featuring the gross transvestite from transsexual Aniseedonia – presaged with not even the friggin' slightest hint – tops almost any nonsensical rubbish denouement from the giallo department (think Argento's Opera) with mind-blowing panache. As an Emilio Miraglia c-flick, this lesson in ineptitude and stupidità would have been titled "The Closet Queen Kills Two Times", but since di Leo undoubtedly had had the lion's share of the liquor himself he couldn't even come up with a catchy title. And the hangover lasted: Unbelievable, but his next try, Asylum Erotica, is even worse.
Review of Naked Violence
