3/10
We're kind of sad ourselves
18 August 2016
Prior to my seeing Oh Dad, Poor Dad I confessed to an admiration for Rosalind Russell in that she had not gone the horror and gore route that so many of her female contemporaries had. Then I saw this.

With her ever changing hair color like the horse in the Wizard Of Oz and grand presence borrowed somewhat from Mama Rose in Gypsy, Russell plays a domineering mother who has sheltered her son Robert Morse to the point of him being socially backward. They're rich as Midas and can indulge in a lot of activities that people would say they were candidates for HappyDale if they didn't have that kind of wealth. One of them is carrying around a coffin with the body of her late husband and Morse's father. I'm sure it's the best work some taxidermist ever did. She must have read what Oxford did with Jeremy Bentham.

Anyway a couple of predatory fortune hunters are after them at the latest tropical paradise they've lighted. Sea Captain Hugh Griffith is chasing Russell and bimbo Barbara Harris is after Morse. Therein lies the story.

I learned two things about this film. After it was completed Paramount held it up for two years and cast Jonathan Winters as her late husband who takes his first flight on his new wings to observe the family he left behind. Little squib insertions were put into the film with Winters offering Greek chorus commentary at intervals. That in itself tells you the film needed help.

Secondly in Russell's own autobiography she wasn't crazy about the end product feeling that she and the director were working at cross purposes. Personally I didn't think the film had much purpose to begin with.

Roz took the place Hermione Gingold who did this on stage and the imbecile son was played by a young Sam Waterston. All I can say is Jack McCoy came from one bad beginning.

Roz Russell's own fans will be terribly disappointed.
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